It Always Rains on Sunday

By Cleaver Patterson. British cinema was renowned for producing two types of film in the years following the end of World War II – polished and witty comedies and hard-bitten, realistic drama. The London based company Ealing Films were accomplished purveyors of both, with the dark humor of their sublime […]

Canterbury Anifest | 5 October – 6 October, 2012

By Chris Pallant. Now in its sixth year, Canterbury Anifest continues to grow from strength to strength, this year hosting representatives from studios such as Aardman, Double Negative, DreamWorks, and Pixar. What started out as an ambitious but small-scale council initiative in 2007 has grown steadily over the past five […]

Santa Sangre: A Psychedelic Attack on the Senses

By Cleaver Patterson. Mexican cinema has always been a law unto itself. Over the years its stars – like the legendary siren Dolores del Rio who came to international prominence during the 1930’s and the larger-than-life Cantinflas, star of the Academy Award winning adventure-comedy Around the World in 80 Days […]

Love alters when it alteration finds: Confession (2012)

By Robert Kenneth Dator. The missed assignation, and the phone call that never comes, and the axioms would seem to pile up in drifts within the mind of the suffering lover: ‘leave well enough alone’; ‘let sleeping dogs lie’; ‘curiosity killed the cat’—even so, the voices of a weak resolve […]

An Introduction to Film Africa 2012

By Basia Lewandowska Cummings, Programme Associate. In a year when cultural institutions of all kinds have felt under direct attack, building the size and scope of an African film festival in London has been no easy task. With funding cuts, and an increasingly rampant rhetoric of ‘necessity’ and ‘efficiency’, the […]

Trying Too Hard: Lovely Molly (2011)

By Cleaver Patterson. Molly (Gretchen Lodge) and her new husband Tim (Johnny Lewis) move into Molly’s old family home, and settle down to married life. However the remote farmhouse harbors dark secrets from Molly’s past and, while Tim is away days at a time with his job as a long […]

The New York Film Festival, 28 September – 14 October, 2012

By Gary M. Kramer. Celebrating 50 Years, the New York Film Festival at Lincoln Center showcased celebrities–from Nicole Kidman for The Paperboy (Daniels, 2012) to Denzel Washington, star of the closing night film Flight (Zemeckis, 2012). An international cast of filmmakers was also on hand–from Chile’s No (Larrain, 2012) to […]

CFP: Music & the Moving Image VIII

MUSIC & THE MOVING IMAGE VIII Conference at NYU Steinhardt: May 31-June 2, 2013 CALL FOR PAPERS The annual conference, Music and the Moving Image, encourages submissions from scholars and practitioners that explore the relationship between music, sound, and the entire universe of moving images (film, TV, video games, mobile […]

Rasputin, the Devil and a Mummy: Hammer Classic Rereleases

By Cleaver Patterson. The prolific Hammer Films was a company which never ceased to amaze, both in its choice of subject and in the quality and quantity of its output. From the highs of their iconic takes on the haemoglobin drinking Count in Dracula (1958) and grotesque DIY surgery of […]

The Master (2012)

By Jacob Mertens. Many times, a film is most compelling inside that beautiful moment of transport evoked by the flickering lights cast across a white canvas. Paul Thomas Anderson’s The Master is not one of these films. The auteur’s latest demands a great deal of attention from the audience and […]