By Steven Harrison Gibbs. “With great power there must also come — great responsibility.” This maxim, first delivered via narration in Marvel Comics’ Amazing Fantasy #15 (the August, 1962 issue in which Spider-Man made his debut), is perhaps the most widely recognized quote in comic book history. For half a […]
The Grey (2012)
By Jacob Mertens. In the beginning of the poem “Dante’s Inferno,” Dante finds himself in a dark wood, disorientated, grasping for an understanding of his surroundings. Within this grim setting, the poet conjures a primordial chaos, in which Dante’s last impressions of life follow him into the death. In much […]
‘We Need to Talk about Kevin’ or The Devil is a Woman
By Christopher Sharrett. I find Lynne Ramsay’s We Need to Talk about Kevin to be among the more vexing films I have recently seen. It is a notable contribution to the domestic melodrama, at a time when the genre is besieged by “dramedies” about families with problems that aren’t problems […]
What Separates Us from ‘A Separation’
By Celluloid Liberation Front. ‘Their universe of discourse is populated by self-validating hypotheses which, incessantly and monopolistically repeated, become hypnotic definitions or dictations.’ (Herbert Marcuse) The cinema of the Middle East is often stereotypically seen under the restrictive frame of ‘realism’. Euro-American audiences tend to associate formal experimentation with Western […]
Film International 55: The Romanian New Wave – special issue out soon
March 7, 2012
The New Romanian Cinema between the tragic and the ironic The Death of Mr Lăzărescu (the second film by Cristi Puiu), is without a doubt the paradigmatic, even programmatic work of the Romanian New Wave. With its austere classical aesthetics, it separates radically the past of Romanian auteur cinema – […]
Call for Entries
March 7, 2012
The French Cinema Project ‘Portraits d’artistes’ is currently seeking scholars willing to offer bibliographical entries both literary and personal on French actors/actresses (1000 words maximum) for a future publication. If you are interested in contributing please email: michael.abecassis AT mod-langs.ox.ac.uk. If you have suggestions for other actors/actresses we would be […]
The Iron Lady (2011)
By Salomon Rogberg. Margaret Thatcher’s reign over England may have ended over twenty-one years ago, but she’s still a sensitive topic that can generate both anger and admiration. When Phyllida Lloyd’s new film, The Iron Lady (2011), was released in Sweden and Britain, it led to heated discussion amongst critics in […]
Rampart: A Man Really Apart
By Matthew Sorrento. Passive victims of crime are rare in popular American cinema. In Crime Films, scholar Thomas Leitchobserves that a lead character, if violated, will move toward vengeance, either on his/her own or with assistance. A strong exception is the new abuse victim film (Mysterious Skin, Towelhead, Precious), which […]
Subjective to Eva, Subjected to Kevin
by Matthew Sorrento. This film desperately wants to be talked about. With great effort, We Need to Talk about Kevin presents itself as, in the words of 19th century critic Matthew Arnold, a work of high seriousness, to pitch a personal hard-sell as high art. This claim is more valid […]
A Conversation with Khavn De La Cruz
By Yusef Sayed. A highly prolific filmmaker who has spearheaded the active and visible presence of Filipino artists at film festivals around the world in recent years, Khavn De La Cruz is tough to pin down. With countless films to his name, including Squatterpunk (2007), Ultimo: Different Ways of Killing […]