Book Review by Daniel Herbert. Within a discussion of Frederick Jackson Turner’s ideas about the frontier and their bearing upon the Western film genre, Scott Simmon notes that by 1890 the American West was essentially “closed” (page 156). Although it is true that the expanse of the United States had […]
BFI Film Classics: Belle de Jour, Michael Wood, (2000)
Book Review by Daniel Herbert. Michael Wood begins his book on Belle de Jour by characterizing Luis Buñuel’s style as “a form of impatience” (page 8). One might assume that, at a mere seventy-seven pages, Wood might require a similar impatience to breeze through the intricacies and enigmas that abound […]