By Jeremy Carr. Apparently supporting the film’s well-intentioned attempt at accuracy, Chief Chauncey Yellow Robe, in a sound prologue to this otherwise silent 1930 film, thus urges viewers to not see those performing in the film as actors, but to consider that what is shown ‘is as it always has […]
Between Compliance and Resistance: Mapping the Careers of Wallace Fox and Nipo Strongheart in Early Hollywood
By Andrew H. Fisher. Taken together, their careers allows us to see Hollywood Indians as agents of film history, rather than merely as objects of the cinematic gaze.” During the early decades of the twentieth century, Hollywood seemed to be full of chiefs but not enough Indians. Thanks to the […]
Archetypes and Native American Cinema: Lyle Corbine Jr. on Wild Indian
By Ali Moosavi. Despite the title and the grandiose nature of the film…[Makwa’s journey] was really a personal retelling of things that I’ve seen in my Ojibwe community and the different responses to trauma there.” Wild Indian is the feature film debut of Native American filmmaker Lyle Corbine Jr. Lyle. […]