A Book Review by Irv Slifkin. Say the name and the image of an overweight, balding man with a neatly trimmed beard and unctuous demeanor comes to mind. In productions released by Roger Corman’s New World Pictures during the 1970s, Bartel seems to be there all the time, stealing scenes […]
ONLINE | Thinking Film Since 1973
Jenny Paola Ortega Castillo
Dead Souls on the U.S. Border: On Alex Cox’s “Final Film”
William Blick
Questioning Authority: Jim Towns’ Mercy
