By James Slaymaker. Old reveals itself to be a deeply nuanced, emotionally resonant, structurally experimental and formally rigorous work of art. It’s also a work clearly informed by the collective trauma of the COVID-19 pandemic, even though it doesn’t make any explicit references….” This article contains spoilers for M. Night […]
New Transmissions: From the Inner Mind to The Outer Limits: Scripts of Joseph Stefano, Volume 1
“The Form of Things Unknown,” 1.32 (4 May 1964) By Tony Williams. Stefano was a master writer for the screen and capable of doing better things had circumstances allowed, as this revealing limited edition collection shows.” For those who have watched The Outer Limits either from its first transmission in […]
Tobe Hooper and the American Twilight
By Christopher Sharrett. Tobe Hooper became a poet of the American twilight, of the dead American Dream warned about by any number of artists…. As I have noted elsewhere, Hooper immediately lets us know that his concerns are broad and deep.” I recall my first screening of The Texas Chain […]
The Personal Touch – A Uniquely American Epic: Intimacy and Action, Tenderness and Violence in Sam Peckinpah’s The Wild Bunch
A Book Review Essay by Jeremy Carr. While there’s some inevitable overlap…on the whole, this anthology adds, with each chapter, discerning passages of unique insight and interpretation.” There’s a lot of substance proposed in its title, but then again, there’s a lot delivered by the film in question. A Uniquely […]
Nomadland, or Dread and Denial in the American Remains
By Christopher Sharrett. Zhao’s film would seem to follow Bruder’s impulse in documenting a profound and perpetual economic crisis, as contemporary America’s bosses opt for an outsourced and financialized economy…. But the film’s critical concerns tend to leave center stage.” The opening card for Chloe Zhao’s Oscar-winning Nomadland informs us […]
Corbucci’s Wild Western: Django (1966)
By Jeremy Carr. Arrow’s laudable treatment of Django attests to the lasting interest in this unconventional and oftentimes striking fare.” Although his stature has risen in recent years, Sergio Corbucci has primarily resided in the shadows of his more famous spaghetti western counterpart, Sergio Leone. But like the sub-genre generally, […]
Peter, Paul and Mary: The Song Is Love – Excerpt from American Twilight: The Cinema of Tobe Hooper
By Kristopher Woofter and Will Dodson. Can we turn on the lights again? Can we turn on the lights again?!” — Peter Yarrow, Peter, Paul and Mary: The Song Is Love According to Anne S. Lewis, an associate minister at the First Baptist Church of Austin in the late 1960s, […]
Revisiting Romero’s The Amusement Park (1973)
By Tony Williams. Spoiler alert: key plot details are discussed below.–Ed. The Amusement Park has much to say both at the time of its production (1973) and certainly now – but it is doubtful whether many will want to watch it nor listen to its message. It is a deliberately […]
Filmmaking, Feminism, Genre: Women Make Horror
The Mafu Cage (Karen Arthur, 1978)
Checking the Master, Film by Film: Hitchcock and the Censors
A Book Review Essay by Matthew Sorrento. Some criticisms noted, John Billheimer’s book is still very helpful for teaching history of regulation/censorship and their effects on authorship….” Hitchcock continues to compete with Welles as the “Shakespeare” of film studies in the sense that he’s the most analyzed in the medium, […]