Researcher Beware! – Frankly: Unmasking Frank Capra by Joseph McBride

A Book Review Essay by Tony Williams. Joseph McBride’s latest mammoth book, well-written and copiously documented as usual, is an unusual production in the field of cinema studies. It is a companion volume to his earlier 1992 text, Frank Capra: The Catastrophe of Success, which took issue with the traditional estimation of […]

Reassessing Blue Velvet: a Criterion Collection Release

By Christopher Sharrett. I have had a difficult history with David Lynch’s breakthrough film Blue Velvet (1986), and for that matter, much of the director’s work. At first, I thought the film a good antidote to the “morning in America” claptrap that was a major feature of the Reagan era […]

La vérité: the French Woman’s Prison (Criterion Collection)

By Tony Williams. Henri-Georges Clouzot (1907-1977) is best known as the director of Le Corbeau (1943), Quai des Orfevres (1947), The Wages of Fear (1953), Diabolique (1955) for the majority of viewers. Although he beat Hitchcock in obtaining the rights for the fourth film, “The Master” gained his victory in purchasing […]

Long Walk to Freedom: The Silence of Others

By Michael Sandlin. Despite its low-budget workmanlike feel, this documentary from Emmy-winning directors Almudena Carracedo and Robert Bahar – and produced by Spanish directorial titan Pedro Almodovar – just may be one of the most socio-historically significant European documentaries of recent years. Although it may not have the depth and […]

Never Look Away: Art Against Death

By Christopher Sharrett. Florian Henckel von Donnersmarck’s Never Look Away is a good – but not great – film of this past season that deserves recognition; I wanted to wait to remark on it until a Region 1 Blu-ray arrived, which apparently won’t happen until the fall, so I purchased […]

Never the Victim: Louise Brooks and The Chaperone

By Thomas Gladysz. The Chaperone, the first theatrical release from PBS Masterpiece, is a story of beginnings as well as a kind of origin story. Its plot revolves around the summer the 16-year-old Louise Brooks (Haley Lu Richardson) – four years before she found fame as a film star – […]