By Christopher Sharrett. I commented early this week on the ruthlessness of death. The occasion was my remembrance of Larry Cohen, a crucial figure of the American independent cinema. And now, we have word of the loss of Agnes Varda, a person I always thought pivotal to the European cinema. […]
Larry Cohen, 1936-2019
By Christopher Sharrett. Death is ruthless, but it seems to have been especially vicious lately. We have received word that Larry Cohen, the last of the great quartet of 60s-70s horror film innovators, has died. A statement about the full contributions of Cohen will be forthcoming in the print edition […]
The Uncanny Invades: Jordan Peele’s Us
By Matthew Sorrento. The most unfortunate aspect of Jordan Peele’s Get Out was its creator’s attempt at self-criticism. Some months after the film’s release, Peele accepted an offer from Reddit to respond to member theories on the film. In the video, he is welcoming and down-to-earth but swiftly dismisses a theory […]
“What Might Have Been”: The Magnificent Ambersons (Criterion Collection)
By Tony Williams. “Anybody who does things their own way while they’re working with a corporation is going to be problematic.” – Jonathan Rosenbaum, audio-commentary, The Magnificent Ambersons Criterion Collection DVD When Criterion rises to the appropriate occasion of combining the best type of digital restoration with the most appropriate supplementary features, […]
Twilight of the Idol: Eastwood’s The Mule
By James Slaymaker. Like many late-period Eastwood films, The Mule is a revisionist genre piece with a pronounced self-reflexive streak. It only takes a glimpse at the poster to deduce that the figure of Eastwood – as a cinematic persona, as an actor, as an ailing body – will be […]
His Own Man – George Raft: The Man Who Would be Bogart by Stone Wallace
A Book Review Essay by Tony Williams. Enter George Raft groom cum chauffeur – He lurked hand and collar and hands in his pockets – Heavy with menace he takes the job of looking after someone who was sure to reach the film – Sticky end abroad – George Raft […]
The Eternal Dilemma: Tarkovsky’s Andrei Rublev (The Criterion Collection)
By Tony Williams. After reviewing the disappointing Criterion Von Sternberg/Dietrich DVD Collection and noting the company’s inexplicable emphasis on popular films available elsewhere, it is a pleasure to see Criterion return to form with this three-disc version of Tarkovsky’s masterpiece. Subject of many fine critical books and articles, the film’s […]
Watering the Money Tree: Eugen Damaschin’s Beautiful Corruption (2018)
By Brandon Konecny. In 2014, Moldova experienced what many observers called the “theft of the century.” One billion dollars disappeared from the country’s banking system. That’s nearly an eighth of its gross domestic product. Because some worried that the country’s already fragile economy would collapse, the government intervened. The banks […]
First Man and Last Things
By Christopher Sharrett. I have just recently seen Damien Chazelle’s First Man after putting it off during its initial release. The film holds some interest for me, unlike his previous two films, Whiplash (2015) and La La Land (2016), the first a throwback, I think, to films of the 1970s […]
Just Slightly Off: True Stories
By John Duncan Talbird. My friends and I loved the Talking Heads when we were in college. You could not go a week in our house without hearing at least one of their most recent albums: Speaking in Tongues (1983), Stop Making Sense (1984), Little Creatures (1985). (Even today, I don’t […]
