Features

By Edgar Tijhuis. Sometimes it seems like time stood still in Slovenia. In 2009 Variety magazine reported about a “royalty battle” in central and eastern Europe. Television producers and other rights-holders of audiovisual material, were allegedly losing up to 10 million euros a year in royalties, as the international collecting […]

By Tony Williams. Critic-director Stig Bjorkman, well known for his studies on directors such as Woody Allen and Ingmar Bergman, has made an intriguing documentary on this well-known star to which he has also collaborated on the screenplay. Most documentaries either concentrate on abundant clips from films already well known […]

By David Ryan. Rewriting history is a common academic enterprise, and crafting Elizabethan history – particularly Shakespearean biography – is composed recursively. Though Anonymous (2011) is neither a serious effort at literary biography nor historical drama, Roland Emmerich and John Orloff’s speculative work about Edward de Vere, the 17th Earl of […]

Kurt Vonnegut Hunter Thompson Norman Mailer Tom Wolfe William Burroughs Jonathan Miller William Burroughs Jr Jacob Bronowski Robert Hughes Bob Woodward Carl Bernstein Peter Maas Germaine Greer Ray Connolly Geoffrey O’Brien Pauline Kael Grover Lewis Leonard! Bernstein! “There was a point in ’73 where I knew it was all over,” […]

By John Garland Winn. Jeff Barnaby, a Mi’kmaq First Nations director, was four years old when the Quebec Provincial Police raided his Restigouche Reservation to restrict salmon fishing rights. The events of the raid are explored in Alanis Obomsawin’s documentary Incident at Restigouche (1984) and, as Barnaby recalls, are forever […]

By Rajko Radović. Blood has been shed on the asphalt at night. We see it in close-up as thin red lines spreading in all directions into the darkness and the ghetto, and then the blood becomes what it really is in the cult American series The Wire – pulsating wires […]

By Christopher Sharrett. When I first took note of the television series Madam Secretary (2014-), I assumed it was a sort of promotional piece for Hillary Clinton. It may indeed be this, but its connection to the real world is more substantial and significant, telling us a great deal, if […]

By Richard Grigg. Director Guy Ritchie’s 2015 film The Man from U.N.C.L.E. is of course inspired by the U.S. television series of the same name, a program that was extraordinarily popular for a brief period in the mid 1960s in America and abroad. Taking its cue from James Bond in […]

By Ramin S. Khanjani. For many avid followers of Iranian cinema across the world, the experience of this national cinema justifiably doesn’t go much beyond recent works of festival fixtures such as Abbas Kiarostami, Jafar Panahi and now Asghar Farhadi. Now imagine seating these fans in front of a screen […]

By William Repass. In the thematic arc formed by Fellini’s body of work, La dolce vita  (1960) can be said to represent a pivot: his first film in which various reactions—against a repressive Catholic milieu, against the formal and ideological constraints of Italian neo-realism—coalesce into a fully-realized counter-aesthetic, incontestable both […]