Son of Saul: Versions of the Irrational

By Christopher Sharrett. I have been meaning for some time to put pen to paper about last year’s superb achievement by Laszlo Nemes, Son of Saul, but have hesitated for various reasons, not least of which was that any comment by me on the film would as this point seem […]

Michael Morris’ Hermeneutics: Visual Music, Expanded Cinema, New Aesthetic

By Michael Betancourt. Michael Morris’ expanded cinema performances, Second Hermeneutic (2013) lasting approximately nine minutes, and Third Hermeneutic (2014) lasting approximately eleven minutes, are both produced using a combination of traditional 16mm film projectors and video; Third Hermeneutic also employs digital technology – a laptop computer running a custom Midi-controlled piece […]

In Praise of Susan Oliver: The Green Girl (2014)

By Tony Williams. “She was so much more than the Green woman in Star Trek” (George Pappy DVD audio-commentary). “What I knew I didn’t want was to just get married and become a housewife and lose my identity.” (Oliver: 81) Produced and directed by George Pappy, who also co-wrote the script […]

Star Wars Episode VII: Feminism from “Far, Far Away”

By Sotiris Petridis. Introduction The Star Wars saga is an integral and important part of popular culture since its first filmic text back in 1977. Apart from the films, there are comics, novels, television series, and a plethora of merchandising products that interact with our everyday life. So, gender representation […]

Cannibalized Chaos: Iago, The Joker and the “Good Sport” of Postmodernism

By Richmond B. Adams. During a conversation approximately one-third of the way through The Dark Knight (2008), Bruce Wayne (Christian Bale) expresses to Alfred Pennyworth (Michael Caine) his view concerning the escalating rampages of The Joker (Heath Ledger) across Gotham City.[1] Wayne states that “Criminals aren’t complicated, Alfred. We just […]

The Sentinel Excavated

By Christopher Sharrett. I use the word “excavated” in my title not because the 1977 horror film The Sentinel , directed by Michael Winner, is lost to film history, but because it has been buried – with some justification – by legitimate criticism worthy of respect. I will argue in […]

The Best and the Most Overrated of 2015

By Film International. The editors’ Top 10 and Overrated 10 include films that were released in the editors’ respective regions during 2015. They have been selected by Daniel Lindvall (editor-in-chief, based in Stockholm, Sweden), Jacob Mertens (review and festival editor, based in Madison, WI, USA) and Matthew Sorrento (interview and […]

CGI and the Audience: Things Better Left Unsaid

By Fred Wagner. The Show of Shows (2015), a recently released documentary made out of archive footage shows the lost world of the circus – a cornucopia of acts the like of which were once the vanguard of kitsch but that now seem so alien you can look at them […]