By Noah Charney. Branko Djuric, who goes by the nickname Djuro, is one the biggest film and television stars of the former Yugoslavia. His repertoire includes fistfuls of films, popular TV series, plays and even albums, spanning decades, so he is entirely used to receiving royalty statements and checks each […]
The Site of Nature: Exteriority and Overexposure in The Thin Red Line
By Trevor Mowchun. “Have mountains, and waves, and skies, no significance but what we consciously give them, when we employ them as emblems of our thoughts? The world is emblematic.” (Ralph Waldo Emerson, Nature) There is a sense in which it could be said that the natural world is beyond […]
In Defense of Hitchcock and Serious Criticism
By Robert K. Lightning. “It follows that the critic should read without inappropriate bias. We cannot properly object to The Pilgrim’s Progress, for example, because we think that John Bunyan’s theology is false: it is not a valid criticism of a work that it disagrees with the critic. What we […]
Humanities in the Digital Era
By Wheeler Winston Dixon. We live in the age of the visible invisible; everything is supposedly available to us online, but in fact, only a small fraction of the knowledge and culture of even the most recent past is available on the web. The digitization of our culture is now […]
The Fault in Our Films: Hollywood and the Illness Narrative
By Sheana Ochoa. Anyone who has watched the scene in the trailer of The Theory of Everything when Stephen Hawking’s character pulls himself up a staircase knows the film is a heavy hitter. Atop the stairs a robust, healthy baby curiously stares down at his helpless father in a macabre […]
The Babadook: Ghosts in the Bedroom
By Christopher Sharrett. Australian filmmaker Jennifer Kent’s The Babadook is last season’s fascinating, much-discussed contribution to the horror film, a genre that has fallen on hard times in the last quarter-century. I find the film engaging, although my enthusiasm is qualified. It is incoherent at the narrative and ideological levels, […]
Revulsion and Derision: Antichrist, The Human Centipede II and the British Press
By Martin Smith. Despite increased transparency and liberalisation at the British Board of Film Classification (BBFC) in recent decades, Britain remains one of the most censorious democratic countries in the world. Annette Kuhn’s model of censorship, outlined in her Cinema, Censorship and Sexuality: 1909-1925, details censorship as a process “produced […]
Lost in Space
By Rajko Radovic. “I’m gonna wait till the stars come out. And see them twinkle in your eyes. I’m gonna wait till the midnight hour.” (Wilson “the Wicked” Pickett) “Nature has thrown away the key; and woe unto that fateful curiosity that might once manage to peer out through a […]
“Isn’t it Bromantic?” – The Whole Damn Sony Mess, and What It Means
By Wheeler Winston Dixon. Now that some time has elapsed between the Sony hack and the release of the film that apparently precipitated it, Seth Rogen and Evan Goldberg’s The Interview (2014), there are more than a few lessons to take away from the entire affair not only in the […]
The Best of 2014 – and the Most Overrated
By Film International. Another film year has come to an end and it’s time to sum up. Here are the films that some of the current and former members of the Film International editorial team particularly liked this year. And those that we found particularly – annoyingly – overrated. As […]