By Ian Olney. Over the past decade or so, the Spanish horror film has undergone a striking renaissance. During the final years of the Franco regime, in the 1960s and 1970s, horror cinema flourished in Spain, producing such genre icons as Jess Franco, Narciso Ibáñez Serrador, Amando de Ossorio, and […]
Alice Guy’s La Vie du Christ: A Feminist Vision of the Christ Tale
By Gwendolyn Audrey Foster. Alice Guy is a filmmaker whose body of work is still a site of contestation for modern critics; after all these years, her name is nearly unknown. Yet her output was prodigious. Of the nearly four hundred films Guy directed between 1896 and 1920, Guy has […]
Wong Kar-wai: a Cantonese Auteur
By Shashank Saurav. “Sometimes they think the way we work is very stylish and romantic, but actually it’s the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.” (Wong Kar-wai) Hong Kong is a […]
Andy’s Gang, or Saturday Morning of the Living Dead
By Wheeler Winston Dixon. “There was a character that hung out in a clock called Froggy, the Magic Gremlin, and they used to say to him, ‘Plunk your Magic Twanger, Froggy!’ There was something about the character that bothered me, and I can recall having some weird dreams because of […]
Beyond the Hills, or The Woman’s Prison
By Christopher Sharrett. It amazes me that so few reviewers noted emphatically that Cristian Mungiu’s Beyond the Hills (2012), like his earlier 4 Months, 3 Weeks, 2 Days (2007), is a film about women, about the oppression of women, in an era that constantly rolls back the rights of women […]
Touching the Wild Things: Haptic visuality in Where the Wild Things Are
By Kelly Burt. The film Where the Wild Things Are (2009), based on the 1963 children’s book of the same name by Maurice Sendak, offers an intimate experience of a child’s world. It focuses on the central character, Max, a nine-year-old boy who uses his imagination in an attempt to […]
Looking at the Landscape of Childhood in Ivan’s Childhood and Germany Year Zero
By Devapriya Sanyal. The two great wars of the twentieth century would change everything for humankind once and for all; both materially and spiritually. These wars formed the basis for diverse artistic depictions and found their way into various works both during the war, after the war and in peacetime […]
Life with Betty White: Performing the Authentic Proto-Feminist in Pioneering Early Television
By Gwendolyn Audrey Foster. Betty White has always been ahead of her time. This has been both a blessing and a curse. Most people, even scholars who specialize in television history, have little to no knowledge of the importance of Betty White in early live television, in the invention of […]
Inside The Asylum: The Outlaw Studio That Changed Hollywood
By Wheeler Winston Dixon. “Anyone can make a $100 million dollar movie, but to shoot a feature film in 12-14 days, with a budget that’s probably less than the phone bill on a major studio film is monumental. To do it every four weeks and then release the film three […]
The Politics of Critical Reception and the Marxist Feminist Sublime in Carlos Reygadas’ Post Tenebras Lux
By Gwendolyn Audrey Foster. “Fortunately, somewhere between chance and mystery lies imagination, the only thing that protects our freedom, despite the fact that people keep trying to reduce it or kill it off altogether.” (Luis Buñuel 2013: 174) I’m always attracted to films that cause an uproar, critical polarization, […]
