Alice Guy’s La Vie du Christ: A Feminist Vision of the Christ Tale

By Gwendolyn Audrey Foster. Alice Guy is a filmmaker whose body of work is still a site of contestation for modern critics; after all these years, her name is nearly unknown. Yet her output was prodigious. Of the nearly four hundred films Guy directed between 1896 and 1920, Guy has […]

Wong Kar-wai: a Cantonese Auteur

By Shashank Saurav. “Sometimes they think the way we work is very stylish and romantic, but actually it’s the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.” (Wong Kar-wai) Hong Kong is a […]

Andy’s Gang, or Saturday Morning of the Living Dead

By Wheeler Winston Dixon. “There was a character that hung out in a clock called Froggy, the Magic Gremlin, and they used to say to him, ‘Plunk your Magic Twanger, Froggy!’ There was something about the character that bothered me, and I can recall having some weird dreams because of […]

Beyond the Hills, or The Woman’s Prison

By Christopher Sharrett. It amazes me that so few reviewers noted emphatically that Cristian Mungiu’s Beyond the Hills (2012), like his earlier 4 Months, 3 Weeks, 2 Days (2007), is a film about women, about the oppression of women, in an era that constantly rolls back the rights of women […]

Inside The Asylum: The Outlaw Studio That Changed Hollywood

By Wheeler Winston Dixon. “Anyone can make a $100 million dollar movie, but to shoot a feature film in 12-14 days, with a budget that’s probably less than the phone bill on a major studio film is monumental. To do it every four weeks and then release the film three […]

The Politics of Critical Reception and the Marxist Feminist Sublime in Carlos Reygadas’ Post Tenebras Lux

By Gwendolyn Audrey Foster. “Fortunately, somewhere between chance and mystery lies imagination, the only thing that protects our freedom, despite the fact that people keep trying to reduce it or kill it off altogether.”                     (Luis Buñuel 2013: 174) I’m always attracted to films that cause an uproar, critical polarization, […]