By Jeremy Carr. Scorsese’s follow-up to The King of Comedy (1982) can be as stressed as any thriller or even a horror film, or as ostensibly innocuous and banal as a plaster of Paris bagel and cream cheese paperweight.” It starts with a pen that doesn’t work, just as he’s […]
Recognizing Belafonte
By Robert K. Lightning. If Poitier’s films frequently situate him as an integrationist hero, successfully negotiating the rocky path to white acceptance, Belafonte’s films typically chart a very different path where acceptance is not always the goal, making him often Poitier’s cinematic antithesis.” With the announcement of Harry Belafonte’s death […]
Universal’s First Horror Films
By Gary D. Rhodes. Here is an amazing history, one far more enduring than, say, Paramount’s connection to the comedy genre or Warner Bros. to the gangster. The question of precisely when Universal horror movies began is equally as fascinating as it is complicated.” In the 21st century, Universal Pictures […]
“Playing Innocent Would Have Meant Lying”: From the Introduction to Christian Petzold: Interviews
By Marco Abel, Aylin Bademsoy, and Jaimey Fisher. The following is an excerpt from the Introduction to our volume of interviews with German filmmaker Christian Petzold, entitled Christian Petzold: Interviews and published in the University Press of Mississippi’s Conversation with Filmmakers series. We thank UPM for permission to reprint this […]
A Neglected Man as Machine – Soldier: From Script to Screen
A Book Review Essay by Andrew Kolarik. There is something admirable in the blind positivity the book has towards Soldier and makes it a quiet strength, for better or worse.” What is it about some films that makes us utterly embrace them, even the derided and forgotten ones? Why do […]
Looking Back at “The Movies 100 Years from Now” by D.W. Griffith (1924)
By Bibi Berki. Griffith’s singular essay about the future of the cinema is a far more complex and layered piece than might seem immediately obvious.” It’s a risky business playing the soothsayer. Nonetheless, the director DW Griffith had a crack at it in 1924 with a magazine article called The […]
Interdependent Elements: An Interview with Iranian Film Editor Haideh Safiyari
By Ali Moosavi. In the first place, you must be very patient…. You should know that it is a very difficult and time-consuming job and can affect your health. Meanwhile, you should be sensitive to the social issues in your environment and learn from other forms of art, too.” When […]
The Quiet Girl and Reflections on the Season
By Christopher Sharrett. The conclusion of the film makes a basic point: the biological family is often inauthentic, the authentic family a matter of individual will, with affection created by need, and a deep kinship not often subject to accidents of flesh.” Colm Bairéad’s The Quiet Girl wasn’t ignored during […]
“Sin Lust Evil” in America: Louise Brooks and the Exhibition History of Pandora’s Box (1929)
By Thomas Gladysz. Though celebrated today, Pandora’s Box experienced one of the more troubled exhibition histories of just about any film of its time.” Today, Pandora’s Box is considered one of the great films of the silent era, as well as a masterpiece of Weimar cinema. It is still regularly […]
Broken Windows: Decline and Reimagination in Cinematic New York
A Book Review by John Talbird. A sound, focused, and thorough examination of a fairly compressed period of time.” On October 30, 1975, New York’s Daily News ran an article with the banner headline, “Ford to City: Drop Dead.” Of course, President Gerald Ford never said such a thing, few […]