The Fever Dream of Werner Herzog’s The Twilight World

A Book Review Essay by John Duncan Talbird. Although Hiroda Onoda [as a central character in Werner Herzog’s debut novel] doesn’t carry any of the toxicity of many of Kinski’s roles – misogynist, racist, sense of entitlement, viciousness – he does have what nearly all of Herzog’s characters have, the […]

The Real Genius: What Ever Happened to Orson Welles? by Joseph McBride

By Tony Williams. Despite McBride’s fortune in having a closer involvement with Welles than most critics, this book is never reverential. Instead, it presents a balanced and complex picture of an extremely talented but difficult personality whose personal flaws are less important than what he attempted to achieve.” What Ever […]

Norse Mythology, Repackaged: Ragnarok (Netflix, 2020- )

By Kenneth E. Hall. While not presuming a knowledge of Norse mythology, for those viewers already more versed in Norse myth the series offers a fresh approach to the corpus surrounding the apocalyptic event known as Ragnarok, employing a mix of magical realist and more traditionally fantastic techniques to unfold […]

The Agony and the Ecstasy: Jackass Forever

By James Slaymaker. How does an individual cope with growing old when they have become known to the world as an eternal child? This is the question that dominates Jerry Lewis’s late features, and it just as accurately describes the paradoxical combination of juvenile exhilaration and world-weary fatigue at the […]

Notes on “The Women Behind Hitchcock”

By Robert K. Lightning. Seeking to identify signature elements in Joan Harrison’s and Alma Reville’s work but also intertextual correspondences between their independent work and their collaborations with Hitchcock….” In August of 2021, New York’s Film Forum resumed its pre-closure series “The Women Behind Hitchcock”, a series devoted to examining […]

The Prison House of Privilege: Pablo Larrain’s Spencer

By Christopher Sharrett. A portrait of female disintegration to a point that [the film] has been termed a horror film, an extreme designation, but not wholly inaccurate.” I saw Spencer at its opening, but I’ve waited to comment on it until I could view it carefully on Blu-ray, such is […]