By Devapriya Sanyal. One shouldn’t underestimate the power of factual documentary cinema in a world where facts are so often distorted or hidden.” Many have called him the Michael Moore of India, even if his career precedes the American filmmaker’s by decades. Anand Patwardhan has won both national and international […]
Bloodsuckers: A Marxist Vampire Comedy at Berlinale 2021 – An Interview with Julian Radlmaier
By Yun-hua Chen. Marx wrote [Capital] in the 19th century, a high time of Gothic novels…. It made me think, why not just to do a real Marxist film and use the same metaphors as Marx?” Selected by the Berlinale’s Encounters section, Bloodsuckers is the German-French director Julian Radlmaier’s second […]
Terror for an Influencer: Jennifer Harrington on Shook
By Yun-hua Chen. Where I really drew inspiration was from the older classic films like Scream by Wes Craven, and like Halloween by John Carpenter. My hope was to really take those real classic ideas and melt them with these newer things like SAW and Unfriended….” Shook, which is streaming […]
Trusting the Process: Oscar Contender Maria Sødahl on Hope
By Robin Gregory. Hope is also about blended family, the modern family, the structures and mechanics of that. For example, how you love differently or the same, stepchildren versus biological children. All of these things can have taboos around them (that) I wanted to explore.” Cancer is not for the faint […]
An Iranian-American Director Takes on Feminist Horror: Natasha Kermani on Lucky
Star and Screenwriter Brea Grant By Ali Moosavi. It is feminist in the sense that it is about a woman’s experience and the whole movie is a deep dive into that experience.” Natasha Kermani is a young Iranian-American film director, working in independent cinema. She has three feature films under […]
Expanding the Dialog on National Cinemas: an Interview with MK Raghavendra
Zibahkhana (Hell’s Ground, Pakistan, 2007) By Devapriya Sanyal. MK Raghavendra, a film critic and leading scholar of Indian cinema, has authored eight books with leading publishers to date. He offers fresh and invaluable insights into the world of Indian cinema not only restricted to studies of Hindi or Bollywood (as […]
Deceptive Simplicity: John Crye on Chance
By Robin Gregory. I cannot grow as a human being if I do not observe and explore and attempt to explain my own life to myself, to understand my own patterns of behavior. I think the same can be said of humanity at large.” We’ve been warned by Hollywood bigwigs […]
Instinct and Intimacy: Svetlana Cvetko on Show Me What You Got
By Zoe Kurland. There are all these little surprises because it’s all happening as it’s happening in real life among a group of people. That was the intention behind my style of shooting.” In an early scene in Svetlana Cvetko’s Show Me What You Got, Marcelo (Mattia Minasi), the son […]
Short Takes from a Nation’s Youth: An Interview with Kamel Aouij and Mohamed Feki
France 1911 By Matthew Fullerton. New technologies continue to bridge distances, and the importance that Tunisia has accorded the seventh art of filmmaking in the realm of culture and the organization of events surrounding this art has helped.” Tunisia has for many years – and even in the midst of […]
A RomCom during Ramadan: Mike Mosallam on Breaking Fast
By Ali Moosavi. It is a romantic comedy about how people live their lives and how people love each other. I think nobody should watch this film and say here is what it means to be a Muslim, because there is no one way to be a Muslim.” REVIEW When […]
