By John Duncan Talbird. Back in college, my friends and I went to see Do the Right Thing (1989) when it first came out. We’d been reading about the film for weeks before it arrived in the little Southern college town where we lived. Some critics were raving that this […]
Documenting Fiction: Jaret Belliveau and Matthew Bauckman on Kung Fu Elliot (2014)
By Paul Risker. Going behind the scenes of Blood Fight, the latest film from amateur filmmaker and aspiring Canadian action hero Elliot Scott, Jaret Belliveau and Matthew Bauckman encounter the truth of cliché first hand in their documentary Kung Fu Elliot. Viewer sentiments like “fact is stranger than fiction,” “art […]
Banned Again: Kianoosh Ayari on Paternal House (2012)
March 4, 2015
By Amir Ganjavie and Leila Pasandideh. It has been a few weeks since Kianoosh Ayari’s Paternal House (2012) was banned from screening, for the second time. At first banned after its premiere at the 2012 Venice Film Festival by the Iranian government agency that funded the project, the film went back under Ayari’s control when he received approval to screen the […]
The Life of Paganini: Bernard Rose on The Devil’s Violinist (2013)
By Jude Warne. Bernard Rose is a firm believer of the interrelations of film and music. Music always seems to have been central to his approach to cinematic style. Rose got his start in filmmaking directing music videos such as UB40’s 1983 hit “Red Red Wine” and Frankie Goes to […]
New Perspectives: John Boorman on Queen and Country
February 24, 2015
By Matthew Sorrento. John Boorman’s status as a major filmmaker was sealed with five words from Lee Marvin: “I defer those to John.” The actor then left the room, which contained Boorman and the producers of Point Blank (1967); they had just conferred that Marvin had approval over the script and […]
Pure Animation: Graham Annable and Anthony Stacchi on The Boxtrolls
By Paul Risker. From the pages of Alan Smith’s Here Be Monsters! (2005) Graham Annable and Anthony Stacchi release the Boxtroll creatures from the stillness of the page and set them loose to roam the big (and small) screen. When I spoke with Annable and Stacchi I discovered two humble […]
A Man in Full: An Interview with Steve James on Life Itself
By Paul Risker. For Life Itself (2014) – a prominent snub by the Academy in the documentary category this year – filmmaker Steve James paints the landscape of a life and maturation of Roger Ebert, the man and the critic. “I wanted to get my arms around it all” explained James, “To show how the way in which he lived […]
Theeb of the West: An Interview with Naji Abu Nowar
February 17, 2015
By Amir Ganjavie and Shadi Javadi Abhari. The future of the western film genre, with its generic pattern, relation to historical narratives, and cinematic form, is a constant source of concern in cinema. Over the past couple of decades, various filmmakers, including Tommy Lee Jones (2005’s The Three Burials of […]
Games We Play: Nick Antosca and Armen Antranikian on The Girlfriend Game (2015)
By Matthew Sorrento. Of all the writers busy in print and onscreen, it’s great to see Nick Antosca having made a place for himself. With a sizable talent from the start, he began publishing fiction – novels and stories – upon finishing undergraduate work. His early speculative works, like the […]
Finding a Place: Katharine Isabelle on Torment (2013)
By Paul Risker. Katharine Isabelle’s discovery of films could not have been more different than my own. My place has always been on the spectatorial side of the silver screen, whilst for the actor her encounter with film from a young age was interactive and set in motion experiences she […]