By Cleaver Patterson. At one point, about half way into Marguerite (2015), the drama by French writer/director Xavier Giannoli, singing teacher Atos Pezzini (Michel Fau) is trying, diplomatically, to describe his pupil Marguerite Dumont (Catherine Frot) to some of those who have assembled to hear her latest performance. Where Marguerite […]
Orlacs Hände: A Constant Dilemma
By Amy R. Handler. Reaching back to time’s beginnings, Orlacs Hände (1924) forever touched the future, but at what price? Robert Wiene’s cinematic interpretation of Maurice Renard’s Les Mains d’Orlac (1920), cannot be neatly labeled expressionist in spite of its creation near the end of Weimar’s expressionist movement. Certainly there […]
Saul Bass: Anatomy of Film Design by Jan-Christopher Horak
A Book Review by Tony Williams. The work of Saul Bass is familiar to those impressed by credit openings of The Man with the Golden Arm (1955), Cowboy (1958), Bonjour Tristesse (1958) Vertigo (1958), Psycho, (1960) Walk on the Wild Side (1962), Anatomy of a Murder (1959), Bunny Lake is Missing […]
Crimson Glory: The Hidden Depths of Dario Argento’s Deep Red
By Cleaver Patterson. Anyone taking it upon themselves to comment on a film by the master of the giallo thriller Dario Argento is, to some extent, staking their reputation as a critic and writer. No-one will ever get it one hundred per cent right. Aficionados of his work — of […]
A Patriarch’s Infamy: The Clan
By Elias Savada. An ugly, dirty war begets the airing of some nasty laundry. That’s the simple historical concept – and quite an emotional memory for the too many South Americans who suffered through the bad times – driving millions of fascinated fans to Pablo Trapero’s new feature The Clan (El […]
Diverse Stories, Diverse Faces: Songs My Brothers Taught Me
By John Duncan Talbird. First-time feature writer-director Chloé Zhao’s Songs My Brothers Taught Me opens and closes with the narration of teenage Lakota Indian Johnny Winter (John Reddy). The first image is of him barebacked on a horse, voiceover emotionlessly informing us about the wisdom he’s gained breaking horses: “Anything that […]
Zootopia: A Modern Interpretation of a Fairy Tale
By Cleaver Patterson. Judy Hopps (Ginnifer Goodwin) is a young bunny with big ideas. Living in the rural town of Bunnyburrow her parents expect her to follow in the family tradition, growing and selling various fruit and vegetables. But Judy yearns to go to the fabled city of Zootopia, where […]
Fearless Realism: Krisha
By Elias Savada. Other than a kitchen catastrophe, there’s not a sloppy moment in Trey Edward Shults’ micro-budgeted, crowdsourced Krisha, an incredibly well-constructed debut feature that plays like a home movie gone awry. Considering that the director-writer-editor, just 25 years old, shot it over a mere 9-day period in his parents’ […]
Old Men Rule in Remember
By Elias Savada. The perception that people of significantly older age can’t control their destinies, particularly if dementia is knocking at their door, is expressively examined in Canadian auteur Atom Egoyan’s Remember, a substantially wobbly, yet incredibly persuasive Holocaust revenge thriller masquerading as a cross-country road movie. The award-winning Egoyan, known […]
A Cruel Destiny: Intruders
By Paul Risker. I still recall the scene in Bernardo Bertolucci’s The Dreamers (2003) when the father tells his offspring that they cannot live separately of the world. It is a scene that has replayed itself numerous times in my mind since I first encountered what could be called Bertolucci’s […]
