Secrets Haunt Our Past: The Automatic Hate

By Elias Savada. Listen, I have three vices. Movies. Craft beer. And genealogy. Shortly after Justin Lerner’s second feature, The Automatic Hate, begins, there’s an uncomfortable meeting between socially awkward Alexis Green (Adelaide Clemens), an amateur stalker, and Davis Green (Joseph Cross), a bearded chef for a casually refined Italian café […]

The Camera as Our Imagination: Hiroshima Mon Amour (1959)

By Paul Risker. Alain Resnais and Hiroshima Mon Amour (1959) – two names forever locked in an embrace; the latter a defining and resounding heartbeat within the filmmaker’s cinema. Alongside Last Year in Marienbed (1961), Resnais was the creator of cinematic or narrative labyrinths that liberated filmic storytelling, and furthered attention […]

Conventional Calamity: The Wave

By Elias Savada. Disaster movies are a dime a dozen here in the United States. Catastrophes (usually) are Hollywood’s bread-and-butter…and your buttered popcorn. Now, head across the pond to Norway and you’ll — until now, never — have seen such large-scale destruction in a film, where the industry is known for […]

Small Town Texas Lite: A Country Called Home

By Elias Savada. Doused with a familiar, filial melancholy, A Country Called Home is a bittersweet tale of a 25-year-old woman coming to grips with the ghosts in her estranged family’s closet. Music video helmer Anna Axster directed, co-wrote (with Jim Beggarly) and was a producer on her low budget, slow-cooking […]

Fleeting Reconciliation: Colliding Dreams

By Elias Savada. The nightmare that surrounds the Israeli-Palestinian conflict in the Middle East has never been an easy one to suppress. It’s been one step forward, two steps back for too long. A peaceful solution seems distant to proponents of the competing ideologies. Or to just the plain bystander. Colliding […]

The Deceptively Simple Magic of Only Yesterday (1991)

by John Duncan Talbird. At the midpoint of Isao Takahata’s animated Only Yesterday (1991) narrator-protagonist Taeko gives us a lesson on the making of rouge: on the picking of the safflower, on its pounding to mush, on its drying in the sun in little discs. She tells us of the […]

Not Quite Dark Enough

By Elias Savada. Dark is another day (and night) in the life of a West Virginny girl in the Big City. It begins with a lesbian couple au naturel yet, also, oh so much in despair. Their lovemaking could be interpreted as break-up sex (at least for one of them). […]

Denmark vs. Afghanistan: The Moral Dilemma of A War

By Elias Savada. In a world forever at war, Denmark doesn’t float to the top of the list as a country promoting military involvement in remote venues. Interventions have been few and far between since World War II, with its percentage of defense expenditures generally sliding over the last 60 years […]

Reframing Realism in My Beautiful Laundrette

By William Repass.  “You’re dirty. You’re beautiful.” “What is it that the gora Englishman always needs? Clean clothes!” In the world of Stephen Frears’ and Hanif Kureishi’s 1985 cult classic, My Beautiful Laundrette—a world meant to recreate, in-miniature, a South London turned upside down by Thatcherism—cleanliness is not only a […]