An Arctic Train Ride: Compartment No. 6

By Anees Aref. “A charming and elegantly crafted story about romantic longing, companionship, and the surprising places people find it.” Whether as a dramatic or metaphorical tool, the train can function in various ways to explore the inner and outer dramas of both character and plot, emotional and physical spaces. […]

Nostalgia Rides the Rails: Alex Nevill’s Ferroequinology

By Elias Savada. Ferroequinology is a pleasant ebb and flo road movie about wandering souls. Laconic, lyrical, observatory, and part soft-spoken public service announcement.” At just 66 minutes, Ferroequinology is a short-haul documentary about a big ass word (the study of the iron horse, i.e., locomotives, but the film is […]

Break It Down – New Approaches to Contemporary Adaptation

A Book Review by Thomas Puhr. Fortunately, editor Betty Kaklamanidou’s collection sifts through these multimodal weeds and offers some new models for interpretation.” If you play a quick game of word association and ask someone what comes to mind when they hear about a film “adaptation,” you’ll likely get something […]

A Globalized Supply Chain: Sean Wang’s A Marble Travelogue

By Yun-hua Chen. Sean Wang, with his unique sensitivity, sharp observation, and a somewhat dry sense of humor, reveals just how surrealist the supply chain system under globalization can be.” A Marble Travelogue, a coproduction of China, France, Greece, and the Netherlands, premiered at the IDFA Frontlight in 2021. It […]

Things Get Ugly with The 355

By Elias Savada. The top-notch female cast isn’t provided a decent blueprint to develop out of the provided stereotypes. The James Bond—Mission: Impossible spin that the actors try to emulate never takes full flight.” Universal Pictures’ The 355, a shiny production of a fairly dull film, is being pushed as […]

Delayed Gratification – ReFocus: The Films of Albert Brooks

A Book Review by Thomas Puhr. A much-needed overview not just of the filmmaker, but of his enduring cultural impact.” Read any critical piece on Albert Brooks and you’ll invariably encounter descriptors like “underappreciated” or “overlooked.” But what is meant, exactly, by such labels? After all, two of his films […]

New York Stories: Dasha Nekrasova’s The Scary of Sixty-First (2021)

By Thomas Puhr. Nekrasova shows a willingness to tackle taboo subject matter in what is nominally a comedic genre exercise.” The opening credits of The Scary of Sixty-First (2021) deftly blend elements of ‘60s and ‘80s horror. The pink, handwritten font – played over panning shots of Manhattan – instantly […]