Wake Up at the Back There! It’s Jimmy Edwards by Anthony Slide

A Book Review by Tony Williams. The name of Jimmy Edwards (1920-1988) may not be familiar to American audiences, let alone contemporary British ones, except for those tuning in to the “Talking Pictures” cable stations and others running archive film and television series that put many contemporary examples on broadcast […]

Follow That Dream: Eugene Jarecki’s The King

By Jeremy Carr. Embracing a road trip structure, which is always conducive to a film concerning self-reflective journeys of the soul, Eugene Jarecki’s The King takes as its meditative subject not just the meteoritic rise and catastrophic fall of Elvis Presley, but also the corresponding character of the United States, through […]

They Feud (Again): Under the Tree

By Thomas Puhr. One may argue that the “feuding neighbors” subgenre is overdone, having been explored in films like John G. Avildsen’s Neighbors (1981), Danny DeVito’s Duplex (2003), and Nicholas Stoller’s Neighbors (2014) and Neighbors 2: Sorority Rising (2016). This trend is not limited to movie theaters, either; nearly every […]

Weird Science: Three Identical Strangers

By Elias Savada. I’ve been told, at rare moments throughout my life, that I look just like someone else, other than my dad or a close cousin, of course. Usually, if shown a photograph of the other person, I would not see a resemblance at all. For Robert Shafran, Edward Galland, […]

John Waters, Respectably Vile Again: Female Trouble (Criterion Collection)

By Gary M. Kramer. John Waters has achieved respectability (again). After 2016’s successful Criterion Collection release of Multiple Maniacs, the premier film snob’s publisher of classics on Blu-ray/DVD has now issued a new 4K digital restoration of his 16mm masterpiece, Female Trouble, from 1974. The original film’s grainy quality gains […]

The Paradox of Vivienne Westwood – Westwood: Punk, Activist, Icon

By Elizabeth Toohey. Is the designer Vivienne Westwood anti-establishment or is she the establishment? Is she iconoclast or icon? More to the point, has her fashion been subversive, a form of resistance to English politics and culture, or has it been merely a commodification of the youthful punk rebellion of […]

Perfectly Partial: Víctor Erice’s El Sur (Criterion Collection)

By Jeremy Carr. Writer-director Víctor Erice can be forgiven if he speaks of El Sur (newly released by the Criterion Collection) with more than a tinge of regret. This 1983 feature, only his second from 1973 to today (his sparse filmography largely consists of shorts and documentaries), wasn’t just released in […]