By Kate Hearst. Antoine Fuqua’s The Magnificent Seven showcases a multiracial cast of personalities who collaborate to defeat a murderous robber baron on the American frontier. The overall cinematic spectacle of teamwork among this star-studded collection of lone gunslingers, led by Denzel Washington, is as deeply satisfying as the 1960 […]
A Fun Swansong: The Last Film Festival
By Christopher Weedman. The Last Film Festival’s comedic glimpse into the behind-the-scenes politics and turmoil that surround film festivals began as a joke between the film’s writer-producer-director Linda Yellen and its late iconic star Dennis Hopper during an encounter at the prestigious Sundance Film Festival. When she asked him what […]
The Celluloid Collector World That Dreams are Made Of: A Thousand Cuts by Dennis Bartok and Jeff Joseph
A Book Review by Tony Williams. Written by two former dealers in this area, A Thousand Cuts: The Bizarre Underground World of Collectors and Dealers Who Saved the Movies (University of Mississippi Press, 2016) offers readers a cinematic magical mystery tour into the now diminishing world of film collectors, a […]
The New World: Exploring the Developing Territory of Terrence Malick
By Jeremy Carr. During post-production on The New World (2005), director Terrence Malick said it would be the last time he made a movie with a plot. Given the film’s free-form audio-visual flow and its loose narrative construct, the statement was met with some amusement. Plot though there may be, […]
Japan’s Modernist Enigma: Woman in the Dunes on Criterion
By Christopher Weedman. The haunting enigmatism and visual beauty of Woman in the Dunes (1964) has not diminished since its premiere over fifty years ago. Shot on a budget of $100,000 over four months in Tottori City, Tottori-ken, this Japanese art-house classic was released during the wave of modernist filmmaking […]
The Social Misfits of Kikujiro
By Yun-hua Chen. Made by Takeshi Kitano in 1999 and having entered the Cannes Film Festival in the same year, Kikujiro was subsequently remade into a Tamil-Indian film Nandala (2010) by Myshkin. After more than one and a half decades, it still seems timeless both in terms of aesthetics and […]
What Shall Remain Unseen?: Hidden Hitchcock by D. A. Miller
A Book Review by Tony Williams. A DVD player now lets everyone scrutinize Hitchcock’s esoteric images, but the desire to engage the game of hide-and-seek latent in them – a game just barely visible during theatrical projection – is born with the films themselves. (Miller, 167, n.14) I suspect that […]
Let the Muckraking Begin: When Two Worlds Collide
By Elias Savada. Investigative documentaries have been a cranky, yet effusive growth industry (thank you, Michael Moore) over the last couple of decades, more so with the improvements in technology that allow anyone to become a self-designated filmmaker. While these films still comprise a subgenre in search of a wider […]
The Law of Capital: The Measure of a Man
By Sérgio Dias Branco. Thierry Taugourdeau, factory worker, was fired along with more than 750 of his colleagues. He is 51 years old and has been unemployed for almost two. In the first scene of The Measure of a Man (La Loi du marché, 2015; “The Law of the Market” in […]
Hell or High Water: The Wasteland After
By Christopher Sharrett. Anyone of any consciousness who has toured the Southwest knows that it consists of pockets of great wealth surrounded by desert. Structurally, this is not unlike the rest of America, except that in the North and elsewhere we are generally concerned with dying cities: corporate citadels surrounded […]
