Scared Second – American Horror Project: Volume Two (Arrow Video)

By Rod Lott. One could find irony in the United States’ collective history of regional horror films being written by a Brit. Instead, I choose to thank him for it. Stephen Thrower literally wrote the book on the subject in 2007’s seminal Nightmare USA: The Untold Story of the Exploitation […]

Oy, Vat a Story! Fiddler: A Miracle of Miracles

By Elias Savada. At moments during filmmaker Max Lewkowicz’s lovely homage to one of the world’s greatest musicals, I was verklempt. I got choked up over Chaim Topol’s interpretation of Tevye the milkman in Norman Jewison’s film version of Fiddler on the Roof, and when Lin-Manuel Miranda breaks out into […]

Dividing Lines: Tony Richardson’s The Border (Kino Lorber)

By Jeremy Carr. Immigration enforcement agent Charlie Smith (Jack Nicholson), who moves from Los Angeles to El Paso, where he joins the Texas sector’s border patrol, says he just wants to “feel good about something sometime.” But it’s not easy in his line of work, which is marred by futility, […]

Danish Redux: After the Wedding

By Elias Savada. Sad to say, but it wasn’t a good idea for American filmmaker Bart Freundlich to remake the Oscar-nominated Best Foreign Language Feature Efter Brylluppet (After the Wedding), the 2006 film from Danish writer-director Susanne Bier. Bier, whose 2004 Danish war drama Brødre (Brothers) was also rejiggered for […]

Compelling, if Problematic: William Friedkin’s Crusing (Arrow Video)

By Gary M. Kramer. Arrow Films’ new Blu-ray edition of William Friedkin’s Cruising offers viewers the opportunity to reconsider this “controversial” thriller nearly 40 years after it was initially released. The film is fascinating, not just because of its history – the gay community disrupted the film’s shooting and objected to […]

Coming of Age, in Detail: Third Wife

By Janine Gericke. There is a significant amount of symbolism throughout Ash Mayfair’s feature debut The Third Wife. The director and cinematographer Chananun Chotrungroj juxtapose the nuances of the lush natural settings of Vietnam with the rigid 19th-century patriarchal society surrounding the film’s female characters. The film follows 14-year-old May […]

The Journey, Not the Destination: Godard x 3 from Kino Lorber

By Jeremy Carr. After concluding what was ostensibly his second phase of filmmaking – if one accepts the admittedly blurred lines that divide a comparatively commercial feature like Weekend (1967) and the ultra-political, pseudo-documentary works of his so-called Dziga Vertov period – Jean-Luc Godard embarked on the third major stage in his career. Launching […]