The Lights Are On, But Is Anybody Home?: House & House II on Arrow/MVD

By Jeremy Carr. The 1980s was a pivotal period for horror films. As low-budget “Video Nasty” provocations steadily faded from America’s grindhouse screens, the down and dirty days of the 1970s were getting displaced by family-friendly creature features and box office-busting franchises. Though there had been historical antecedents for decades, […]

A Brief Review of Alien: Covenant

By Vanessa Crispin. Since the release of Alien: Covenant, reviews have been of a mixed variety, some praising it for paying homage to the original, while others dismiss it as Ridley Scott’s possibly last foray into directing. And it is true, the latest film in the franchise is a mixed […]

Home Is Where the Hermit Is: Wakefield

By Elias Savada. There is a hidden recluse swirling around our theaters (and video on demand), and his name is Wakefield. Please go find him. While Howard Wakefield seems normal enough when first spotted in the hustle and bustle crowds pushing air about the streets of New York City, his […]

REEL EAST FILM FESTIVAL 2017 Full Schedule Announced: Saturday, June 17

  FOR IMMEDIATE RELEASE Please Contact reeleastfilm@gmail.com for more information   Third Annual REEL EAST FILM FESTIVAL Full Schedule Announced, Saturday, June 17, 2017; Tiela Garnett, followed by World Premiere of Sickness and other local premieres   Cherry Hill, NJ (May 28, 2017) – The Reel East Film Festival (REFF), […]

24 Frames: A Sad Goodbye to Kiarostami (Cannes 2017 Review)

By Ali Moosavi. The late Iranian director Abbas Kiarostami’s last film, 24 Frames, was shown as a special event of the 70th Cannes Film Festival, bringing an innovative, masterful career to an end. His words introduce the project best: I first conceived of 24 Frames while reflecting on the works of iconic painters whose […]

Moody and Improved: Sofia Coppola’s The Beguiled (Cannes 2017 Review)

By Ali Moosavi. Sofia Coppola’s decision to remake Don Siegel’s 1971 film The Beguiled (in Official Competition at this year’s Cannes), seems on the surface as strange and intriguing as Coen Brothers’ remake of Henry Hathaway’s True Grit. Both films had been made from a novel adaptation by directors with a […]