A Book Review by Ali Moosavi. I have always thought that for a deeper understanding of Iranian films, one has to have a better knowledge of the Iranian culture, history, and politics. Blake Atwood’s Reform Cinema in Iran (Columbia University Press, 2016) goes a long way to bridge the gap that currently […]
On Communal Love and Sharing: Thomas Vinterberg on The Commune
December 17, 2016
By Amir Ganjavie. Based on firsthand observations from his childhood, Thomas Vinterberg’s latest movie, The Commune, helps us reflect on the difficulties involved in many people living and sharing together in a big house. This take on communal living could be seen as a metaphor for a type of idealized alternative […]
Film Scratches: Eloquence Without Words – The Kingdom of Shadows (2016)
December 14, 2016
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. A family group sits, nearly motionless, yet seething with tension, in a living room with peeling wallpaper and dead leaves blowing […]
Complexity in the Ordinary: An Interview with Kelly Reichardt on Certain Women
December 12, 2016
By Amir Ganjavie. The latest film from Kelly Reichardt, Certain Women, centers on topics that define and characterize her cinema. Based on short stories from Maile Meloy’s collection Both Ways is the Only Way I Want It, the film presents a story of four strong, independent women coping with the difficulties of living […]
Film Scratches: Ghosts in the Machines – Before She Leaves Her Body (2015)
December 8, 2016
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Before She Leaves Her Body, an ambitious and absorbing feature film by brothers Ryan and Tyler Betschart, begins with two allegorical […]
Film Scratches: Love Letter to Bohemia – Mirror and Missal (2014)
December 8, 2016
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. The prolog to Mirror and Missal, Emmett Casey’s beguiling feature film, announces unequivocally that we are in the realm of myth. […]
More Than a “Stutterer”: An Interview with Benjamin Cleary
December 7, 2016
By Tom Ue. Benjamin Cleary is a writer/director from Dublin, Ireland. In 2015 he wrote, directed and edited his first short film “Stutterer” which has played 70 plus festivals and won over 20 awards including an Academy Award for Best Live Action Short in 2015, a London Critic’s Circle Award, an Irish Film and […]
Near Silent Complexities of The Quiet Man on Olive Films
By Tony Williams. The Quiet Man (1952) is another excellent addition to that fine series of DVDs released by Olive Films in its Signature editions. Already acclaimed for its reissue and restoration of classics such as Body and Soul (1925), Force of Evil (1948), and Twilight’s Last Gleaming (1977), the company is […]
Girl Asleep: An Interview with Director Rosemary Myers
By Anna Weinstein. Described by Variety as a “strange, savvy, big-hearted teen adventure,” Rosemary Myers’ debut film, Girl Asleep, is the story of a young girl navigating the frightening forest of adolescence. Myers describes this forest as “a place where characters go into the wild,” where they’re forced to confront […]
Compleat Welles, in “Drops of Sorrow”: Macbeth on Olive Films
December 1, 2016
By Tony Williams. Humorously referred to by one academic as “Shakespeare Rides Again” due to Macbeth’s origins in Herbert J. Yates’s Republic Studios and having several familiar locations such as the cave used in the final sequences of Passage West (1951) as well as Macbeth and Banquo on horseback in […]