By John Duncan Talbird. The Battle of Algiers (1966) is one of the essential postcolonial texts of the 20th century. It complicates many of the assumptions that too often get taken for granted even now, fifty years later: the essentialism of race, the terrorist/freedom fighter binary, the ethics and efficacy of torture […]
The Seasons in Quincy: Four Portraits of John Berger (2016)
By Mark James. Most of us probably remember John Berger as the host of Ways of Seeing, a four-part 1972 television series that he created for BBC where Berger educated the nation about looking at art, effectively demonstrating that one can discuss the so called ‘Old Masters’ in ways that […]
In the Season of the Witch: Victor Matellano on Vampyres
By Sotiris Petridis. Set in an English manor inhabited by two lesbian vampires and a man imprisoned in the basement, Vampyres enlivens the familiar territory with pulsating raw eroticism, wicked sado-masochism and bloody, creative gore. The lives of the vampires are upended when a trio of campers come upon the […]
Command and Control: Is Our Nuclear Luck Running Out?
By Elias Savada. I had nearly forgotten about that nuclear blip a third of a century ago, the one which is the core of Robert Kenner’s new feature Command and Control. It was a missile crisis that nearly wiped out Arkansas and a nice chunk of the United States. So, are […]
“Just a White Dot, Remember?”: An Interview with Justin S. Lee
By Tom Ue. Justin S. Lee is a Student Academy Award-nominated writer/director with an MFA from the USC School of Cinematic Arts. His storytelling roots began at an early age in childhood, when he grew up in the foreign cityscape of Taipei, Taiwan. Unable to speak its language and truly fit in, he […]
The Man Who Shot Oliver: An Interview with Cinematographer Ossie Morris
By David A. Ellis. The late notable cinematographer Oswald Norman Morris was born on 22nd November 1915 in Ruislip. Morris started his career as a clapper boy at Wembley Studios in 1932, making quota quickies, which were made in a week to meet the British quota. He was offered an […]
Indignity in Sweet Mode: A Man Called Ove
By Gary M. Kramer. The title character of A Man Called Ove would probably not see the heartwarming Swedish film, A Man Called Ove, adapted from Fredrik Backman’s national bestseller (2012, English translation in 2013). He is far too cynical, and would call this gentle comedy-drama “mush nonsense.” Still, this […]
A Multicultural Magnificent Seven for Our Times
By Kate Hearst. Antoine Fuqua’s The Magnificent Seven showcases a multiracial cast of personalities who collaborate to defeat a murderous robber baron on the American frontier. The overall cinematic spectacle of teamwork among this star-studded collection of lone gunslingers, led by Denzel Washington, is as deeply satisfying as the 1960 […]
A Fun Swansong: The Last Film Festival
By Christopher Weedman. The Last Film Festival’s comedic glimpse into the behind-the-scenes politics and turmoil that surround film festivals began as a joke between the film’s writer-producer-director Linda Yellen and its late iconic star Dennis Hopper during an encounter at the prestigious Sundance Film Festival. When she asked him what […]
The Celluloid Collector World That Dreams are Made Of: A Thousand Cuts by Dennis Bartok and Jeff Joseph
A Book Review by Tony Williams. Written by two former dealers in this area, A Thousand Cuts: The Bizarre Underground World of Collectors and Dealers Who Saved the Movies (University of Mississippi Press, 2016) offers readers a cinematic magical mystery tour into the now diminishing world of film collectors, a […]
