Les Blank Chased Happiness: A Conversation with Harrod Blank

By Matthew Sorrento. Naming Criterion’s new DVD/Blu-ray collection of films by Les Blank (1935-2013) Always for Pleasure was a given. In borrowing the name of Blank’s 1978 documentary on New Orleans, the set contains that film and several others radiating the feeling. Though Blank is known for his works with […]

The 2015 San Francisco International Festival Report

By Mark James.  Conceived in 1957 by film exhibitor Irving “Bud” Levin as a way to expose the locals to foreign film, the San Francisco International Film Festival is the oldest in the Americas. The 58th SFIFF will exhibit more than 180 films from 46 countries in its two-weeks. Noah Cowan, […]

The Agony of Woman in Gett: The Trial of Viviane Amsalem

By Christopher Sharrett. Ronit and Shlomi Elkabetz’s Gett: The Trial of Viviane Amsalem is a work of such staggering importance that its significance to its own culture (Israel), certainly relevant, is secondary to its challenge to the essentials of patriarchy, and all power systems within it. The most important art […]

Nothing Lost in Times Regained: On the Restored Apu Trilogy

By Paul Risker. Fifty-six years have passed since Satyajit Ray added Apur Sansar (The World of Apu, 1959) to Pather Panchali (Song of the Little Road, 1955) and Aparajito (The Unvanquished, 1956) to create the series of films known as the Apu trilogy. In this passage of time the narrative […]

A Mind Went Black: Dark Star: H.R. Giger’s World (2014)

By Elias Savada. You may not recall who the 20th President of the United States was. Or the name of the British Prime Minister in 1980. But mention the name Hans Ruedi “HR” Giger and one word immediately comes to mind: Alien. As Dark Star: HR Gigers Welt (expanded in the subtitled […]

Berlinale 2015 Festival Report

By Yun-hua Chen. The 65th Berlinale celebrates two generations of German cinema, featuring Werner Herzog’s Queen of the Desert and Wim Wenders’ Every Thing Will be Fine, alongside Andreas Dresden’s Als Wir Träumten and Sebastian Schipper’s Victoria in the competition category. Jafar Panahi’s Taxi, made under extremely difficult circumstances, earned […]

The Pictures of a Lady: In Praise of Grace Kelly

By Daniel Garrett. Some old films have a special appeal. They might not be excellent or particularly beloved objects, and yet they have something that sustains our attention. When I saw Mogambo (1953), I found the love triangle in it interesting even as I recognized its familiarity: an honest rogue […]