The Joke’s on Who? Exit Through the Gift Shop

  By Daniel Lindvall. ‘You could stick all my shit in Tate Modern and have an opening with Tony Blair and Kate Moss on roller blades handing out vol-au-vents and it wouldn’t be as exciting as it is when you go out and paint something big where you shouldn’t do.’ […]

Gaddafi is YOU!

By Rajko Radovic. Here comes the bad guy. CNN is in the house, a sure signal that something bad is about to go down. Hidden behind designer sunglasses, the self-proclaimed father of the revolution scans an invisible horizon even when he is in a beach front restaurant surrounded by bodyguards. […]

Raising the Spectre of Hope: Savage (Sweden, 2011)

By Daniel Lindvall. It is frequently said that respect is something you have to earn. Proffered as a life-rule this is an unusually stupid thing to say. On the contrary, respect is something we’re morally entitled to from the moment we’re born. Savage (jointly written and directed by Martin Jern […]

Stockholm Film Fest Spotlights ‘Extreme Politics’

By Daniel Lindvall ‘We think the price is worth it’, answered Madeleine Albright, then US Ambassador to the United Nations, when asked on 60 Minutes in 1996 whether she could justify half a million children dying as the result of the sanctions regime against Iraq. But despite embracing genocide as […]

‘Planetary Humanism’ Calling: new sightings of ‘black’ bodies in epic films

By Saër Maty Bâ. INTRODUCTION If ‘race’ is dead, the circumstances of its passing must be examined, its funeral organised and – without assumption, endorsement or dismissal – new critical, post-racial processes triggered and affected. Why is ‘post-race’ still an imprecise discourse? Could end-of-‘race’ be a tool for reading (racial) […]

In a Better World: ‘The White Man’s Burden’

  By Daniel Lindvall. ‘Take up the White Man’s burden/send forth the best ye breed […] To wait in heavy harness/On fluttered folk and wild/Your new-caught, sullen peoples/Half-devil and half-child.’ (Rudyard Kipling, ‘The White Man’s Burden’, 1899.) ‘Half-devil[s] and half-child[ren]’ – that is a description as good as any of […]

If history runs, cinema can’t keep walking: an interview with Tinto Brass

By Amy R. Handler. Since the erotic art-house flick Salon Kitty(1975) and, particularly, the infamous Caligula(1979), starring the renowned Sir Arthur John Gielgud, Peter O’Toole and Helen Mirren, the films of Giovanni ‘Tinto’ Brass are considered controversial by most critics and spectators. However, what many may not realize is that […]

In our next issue: Gangsterism and capitalism

Carl Freedman on godfathers and the gangster proletariat Perhaps more than any other major genre of Hollywood cinema, the mob movie has always taken a direct interest in the workings of capitalism. Though the foundational works of the genre produced during the Depression era – Little Caesar (Mervyn LeRoy, 1931), […]

Mr. Arkadin’s New Clothes

By Rajko Radovic. There is a plane flying off the coast of Barcelona. The day is clear. Sun in black and white films always looks like benevolent radiation from some other planet. And in that pleasant yet eerie atmosphere the plane hovers above scattered clouds. It is progressing along its […]