66th Cannes Film Festival Day 2 – The Bling Ring and Touch of Sin

By Moira Sullivan. The reviews for The Great Gatsby were not overwhelmingly positive and most critics, including myself, recognized the film as ambitious but flawed. As an out of competition film, this imperfection is expected. Still, it is the kind of film that will attract audiences as it did a […]

The Best Years of Our Lives: a Revaluation

By Christopher Sharrett. While writing an essay on the post-Vietnam film Rolling Thunder, I thought of William Wyler’s much-applauded 1946 film The Best Years of Our Lives, about three veterans returning at the close of World War II. I revisit this film often, but as much as I appreciate it […]

Slice and Dice: The Slasher Film Forever

By Cleaver Patterson. During cinema’s long and varied history, the horror film has always been considered the poor relation. Forget that movies designed to disturb are almost as old as the medium itself – the first filmed version of Mary Shelley’s Frankenstein was made in 1910 at the Edison Studios […]

Interview with Scott Coffey, Tribeca Film Festival

By Gary M. Kramer. Former actor turned filmmaker Scott Coffey’s Adult World, which received its World Premiere at the 2013 Tribeca Film Festival, is a genial—and at times laugh-out-loud funny—comedy about Amy (Emma Roberts), a twenty-something would-be poet. While waiting for her big break as a writer (and the accompanying […]

Tribeca 2013 Festival Report

By Gary M. Kramer. The 2013 Tribeca Film Festival offered attendees hundreds of films—documentaries, dramas, thrillers, comedies, and character studies—that sought to reveal some aspect of the human condition. Here is a rundown of five films from the festival. One of the best entries at the festival this year was […]

Life Behind the Camera: an interview with David Worley

By David A. Ellis. David Worley was brought up in Rickmansworth, London and finished his schooling at Watford Grammar School. He has worked as camera operator with some of the greatest directors, actors and directors of photography in the business. His films include The World is not Enough, Aliens, Alien […]

Call for Contributions: Special issue of Film International on Iranian Independent Cinema

Guest editor: Parviz Jahed (parviz.jahed@cine-eye.com) Associate editor Amir Ganjavie (ganjavie@yorku.ca) Articles are invited for publication in an edited volume of Film International on the topic of Iranian independent cinema. Independent Iranian cinema consists of the low budget Iranian films with limited affiliation to the government and its financial resources that […]