A Book Review by Thomas M. Puhr. With The Palace recently premiering at Venice, now is an opportune time to revisit these early works, and Roman Polanski: Behind the Scenes of His Classic Early Films may prove a valuable companion for such a journey….” In a 2011 Cineaste review, David Sterritt noted that “Cul-de-Sac […]
For the “God Jean-Luc”: Thomas Imbach on Say God Bye
By Yun-hua Chen. I was already under the spell of Godard. I thought, why not just start in my home country as a self-taught filmmaker?” From his teenage years, Swiss filmmaker Thomas Imbach was ensnared by Godard’s allure. Say God Bye, his latest documentary, chronicles his journey embarked upon with […]
Boo-Who-dunit – Kenneth Branagh Sinks A Haunting in Venice
By Elias Savada. Not the charm you might be hoping for, unless you’re a fan of endless rain, too many jump scares, unsettling camera angles, ragged hand-held camerawork, onerous close-ups, and a score drowning in dreary woodwinds and screechy violins.” Those actor-ensemble, murder mystery set pieces you’ve experienced in movie […]
Reflections on Oppenheimer: The Jewish Question, Bad Conscience, the Bomb
By Christopher Sharrett. This story is well-known…. We are deprived of the factors transforming him into the destroyer of worlds, as well as those making him into the pathetic cowboy, and the smart aleck who could not mount a sensible defense in the face of imbeciles without being a stupid, […]
Recent Contemporary Protest Cinema and Political-Cultural Exoticism
By Hamed Soleimanzadeh. By bringing attention to the challenges of the surrounding world, exotic protest cinema encourages audiences to take responsibility against the injustices and inefficiencies.” The concept of political-cultural exoticism in protest cinema refers to the presentation and understanding of ethnic, national, and regional cultures and policies in films […]
Australian Horror Now
By Alexandra Heller-Nicholas. As a diverse and multicultural country, I would like to see us producing horror that represents the wide range of storytelling styles and lived experiences that come together to make this country what it is.” –Isabel Peppard “It was a difficult decision to make it even using […]
To Love the Uncanny – Haunted by Vertigo: Hitchcock’s Masterpiece Then and Now
A Book Review by Dávid Szőke. The book’s eleven chapters approach the master’s film from broad, yet intersecting angles, allowing the reading and cinematic audience into the colourful patterns that weave the filmic narrative threads into a magnetically composite unity.” “Scottie, do you believe that someone out of the past, […]
War at a Distance: Aurora’s Sunrise
By James Slaymaker. In its intricate tapestry of storytelling modes and its profound engagement with the ethics of representation, “Aurora’s Sunrise” stands as a cinematic work that dares to confront the complexities of historical memory. It forces us to re-examine the role of cinema in shaping and distorting the past….” […]
Rescuing Girls from the Taliban: Marie Margolius on Ayenda (Future)
By Ali Moosavi. For these girls it was such an intense month of failed attempts, sleepless nights, terrifying moments that at the end was sort of a blur. While they have memories of how they felt in those moments, it was on me to figure out the timeline. I had […]
Scorsese’s Night Moves: After Hours (1985)
By Jeremy Carr. Scorsese’s follow-up to The King of Comedy (1982) can be as stressed as any thriller or even a horror film, or as ostensibly innocuous and banal as a plaster of Paris bagel and cream cheese paperweight.” It starts with a pen that doesn’t work, just as he’s […]