By Jamie Isbell. Charles Burnett’s journey as a filmmaker has not been one of equidistant success after success. Starting out with untracked intentions of becoming an electrical engineer and no grasping desire to become a man with a movie camera, he was in a strange position of observation in his […]
Larry Cohen: Film Crazy
By Patrick McGilligan. ‘Mr. Cohen has mined a career out of one simple question – what’s the worst that could happen? – which he answers with the stinging, compelling heat of the exploitation thriller.’ (Elvis Mitchell, The New York Times, April 27, 2003) There’s no mistaking a Larry Cohen film. […]
The Wicker Man (1973): Collector’s Edition
By Deirdre Devers. ‘You are despicable little liars’, spits Sgt. Howie (Edward Woodward) to a room full of schoolgirls during the first act of Robin Hardy’s cult classic, The Wicker Man. Sgt. Howie wields the full authority of his policeman’s uniform when he arrives on the idyllic and remote island […]
Freedom Deep and The Book of Eli: An interview with director Aaron Stevenson
By Amy R Handler. In the interview below, Australian filmmaker Aaron Stevenson suggests that screenwriter Gary Whitta may have plagiarized Stevenson’s film Freedom Deep (1998, complete ‘Final Director’s Cut’ in 2008) when penning the script for The Hughes Brothers’ recent film, The Book of Eli. When confronted with Stevenson’s statements, […]
From Short Story to Film to Autobiography: Bergman’s Intermedial Variations
By Maaret Koskinen. (These are excerpts from In the Beginning Was the Word: Ingmar Bergman and His Early Writings [Stockholm: Wahlström & Widstrand, 2002], originally published in Film International 1, vol. 1. no. 1, 2003.) One autumn a few years ago the author of this article was in the process […]
Camus and Carné Transformed: Bergman’s ‘The Silence’ vs. Antonioni’s ‘The Passenger’
By John Orr. The Silence(Tystnaden) (1962) and The Passenger(1974) are two of the great modernist films of their period, and two of the most enduring. From the standpoint of a new century neither is dated and both are richly rewarded by DVD rewatching. Yet their genesis lies in a previous […]
Walter Hill: Last Man Standing
By Patrick McGilligan. Walter Hill’s first produced script was in 1972, but his films are a throwback to the Golden Age and to storytelling traditions that seem increasingly endangered in today’s Hollywood. He brings a modern swagger to old-fashioned genres. He relishes stories that center on male heroics, with cinematic […]
Babak Najafi: Learning to See Sweden – in Teheran
By Daniel Lindvall. Babak Najafi was born in Teheran in 1975 and came to Sweden as a boy in the mid-1980s. He went to film school (1998–2002), specializing in documentary film-making, and then made a series of well-received short films, mostly documentary, gaining him a ‘Bo Widerberg grant’ in 2004. […]
You Don’t Know What Love Is
By Daniel Garrett. The book Annie Proulx’s short story ‘Brokeback Mountain’ is amazing: detailed, observant, naturalistic and smart, it is a story about men and land and love and society – in Wyoming, a state of mountains and valleys, greenlands and deserts. Annie Proulx’s language is mostly spare, though a […]
4 Months, 3 Weeks and 2 Days (4 Luni, 3 Saptamini si 2 Zile, 2007)
By Steven Yates. One of the most surprising successes of 2007 was Cristian Mingiu’s 4 Months, 3 Weeks and 2 Days (4 Luni, 3 Saptamini si 2 Zile). A film set in the Ceausescu period and detailing the events prior to an illegal abortion in a hotel may not have […]