One Family’s Dirty, Drunken Laundry: For I Know My Weakness

By Elias Savada. A raw journey into immersive filmmaking, asking for a wide berth when it comes to social ethics.” With over half-a-million homeless people in the United States today, most folks treat them as a plague. Some toss a few coins or dollars their way when they’re panhandling at […]

Mad Love: Park Chan-wook’s Decision to Leave (2022)

By James Slaymaker. Decision to Leave builds a sense of tragic weight more potent than anything else in Chan-wook’s oeuvre.” Park Chan-wook’s new film, Decision to Leave, may appear at first glance to be an uncharacteristically straight police procedural drama. Its set-up is pure pulp: Hae-jun (Park Hae-il) is a […]

A Quality Melodramatic Framework: The Americans (FX, 2013-2018) by Linda Mizejewski

By Ken Hall. A key to the innovative nature of this series, according to Mizejewski, is its presentation of espionage thriller elements within ‘domestic melodrama.’” The compelling television series The Americans (FX, 2013-18) is presented as a landmark example of “quality” television production in this fine study.  In her new […]

Archival Detective Work – Three Minutes: A Lengthening

By Elias Savada. Not your conventional Holocaust documentary…. Fragments get incessantly replayed, slowed down, reversed, enlarged, and otherwise altered to sniff out clues and provide context, sometimes agonizingly so.” This genealogical gumshoe of a documentary starts with three-plus minutes of silent home movie footage, accompanied only by the sound of […]

“Everything is political”: An Interview with Costa-Gavras

By Yun-hua Chen. Thriller is a way to tell a story about society. Political thrillers are movies about people in a particular situation…. Everything is political.” To celebrate the Greek-French auteur Costa-Gavras’ nearly 60 years of filmmaking, the Locarno Film Festival awarded him with the lifetime achievement award of 2022 […]