By Jeremy Carr. Resurrection moves along at a generally foreboding pace with efficiently intermittent revelations and expository arrangements, largely motivated by Semans’ devious direction, Hall’s multifaceted performance, and the outlandishness of its expectant impetus.” Margaret has it all figured out. She’s successful and in control at work, presiding over her […]

By Michael Sandlin. From Where They Stood shows that documentary filmmaking – used by the Allies during WWII to bring the true scope of Nazi concentration camp horror into the public eye in the first place – can still shed historically relevant light on the Holocaust eighty-some years later.” Although […]

By Thomas Puhr. This ‘plot’ is mostly window dressing for a series of increasingly complicated (and ridiculous) fight sequences. These set pieces are impressively choreographed and shot…boasting the kind of excessive violence similar genre exercises promise yet don’t always deliver.” The good people at Arrow Video may have the market […]

By James Slaymaker. But the overarching ambition of Dreaming Walls is to preserve an image of the Chelsea Hotel while there is still some semblance of the creative spirit which one animated it remaining.” Early in Maya Duverdier and Amélie van Elmbt’s elegant, mournful documentary Dreaming Walls: Inside the Chelsea […]