Out-Cageing Himself: The Unbearable Weight of Massive Talent

By Elias Savada. Two-thirds broad comedy, one part chase film, it’s also a gimmick and an enjoyable bromance. Yeah, this is one nutty film. Its premise revolves around a famous actor named Nick Cage, played by the real Nicolas Cage. Two-thirds broad comedy, one part chase film, it’s not the […]

The Agony and the Ecstasy: Jackass Forever

By James Slaymaker. How does an individual cope with growing old when they have become known to the world as an eternal child? This is the question that dominates Jerry Lewis’s late features, and it just as accurately describes the paradoxical combination of juvenile exhilaration and world-weary fatigue at the […]

Apichatpong Weerasethakul Invites 50 Filmmakers from Around the World to Join Him in the Jungle

Apichatpong Weerasethakul’s filmmaking lab to take place June 18-28, 2022 in the Amazon Apichatpong Weerasethakul invites filmmakers from around the world to apply to Playlab Films’ to participate in the “Apichatpong Weerasethakul Lab: Filming in the Amazon” workshop, which will take place June 18-28, 2022 in the Amazon. There are only two weeks left until the […]

Fantastic Beasts: The Secrets of Dumbledore – Missed Opportunities

By Elias Savada. Doesn’t rise to the heights it could. It’s a case of middle child syndrome, or someone’s just tired.” Even a lesser rate Harry Potter spin-off such as Fantastic Beasts: The Secrets of Dumbledore — the latest in J.K. Rowling’s post-Harry Potter series — should be enough for […]

Blacula’s 50th Anniversary: The Original Black Cinematic Vampire

By Melanie A. Marotta. The difference between Prince Mamualde and Blacula is indicated by Blacula’s bushy eyebrows, fangs, and pork chop sideburns. The costuming of Prince Mamualde—in a suit and cape—however is befitting a prince. It is this prince and his anti-racist message that should be honored on Blacula’s 50th […]

Cinema’s Theatrical Spaces: An Interview with George Toles

By Tanja Bresan. There has been a long history of degradation of theatre (especially evident in so much early film theory) in order to build cinema up, to prove its aesthetic worth…. Film often derives things from a similar theatrical space but the simple idea of my book is that […]