A Book Review Essay by Johannes Schönherr. German scholar Marie Sophie Beckmann discusses inherent contradictions of the ‘spilling’ of the films into other art forms as well as the ‘spilling’ of the films as ‘contained’ entities (films on video) to a worldwide audience in detail.’” When Nick Zedd, the mastermind […]
Cinema as Memory: Olivier Assayas on Suspended Time
By Jonathan Monovich. I wanted to bring a cinema crew within this very intimate space, which is something that movies hardly do. I thought it was a way of exposing myself.” —Olivier Assayas Like other filmmakers who began at Cahiers du Cinéma, Olivier Assayas approaches his films with sophistication. Assayas’ […]
Hola Frida, or What to Do When Life Deals You a Bad Hand
By Jenny Paola Ortega Castillo. The narrative may seem like a raw and harsh retelling of the artist’s story; however, Frida’s numerous illnesses are handled with the utmost respect throughout the film…. Art allowed her to process pain, reclaim her missing identity outside of what illness turned her into and […]
A Pivotal Point: Roman Polanski’s An Officer and a Spy (2019)
By William Blick. A slow burn that simmers into a boil…[and] a compelling exploration of antisemitism and miscarriage of justice….” Roman Polanski’s 2019 political thriller An Officer and a Spy, which will see its U.S. premiere at New York’s Film Forum on August 8, recreates the “Dreyfus Affair,” a pivotal […]
Scenes of Integrity: An Interview with Reza Akhlaghirad
By Ali Moosavi. The road I have travelled on has been a tumultuous one. Some things that I could only dream about in my day-to-day life, I could experience in the lives of the characters that I played. Those feelings of rage and anger, that if you display them in […]
Where Criticism’s Headed: An Interview with Jonathan Rosenbaum
By Jonathan Monovich. Where we’re headed is a nightmare…. our language is so corrupted on so many different levels that we basically can’t even have film criticism now…. The language that we use is largely under the control of the industry.” —Jonathan Rosenbaum Born into a family of movie theater […]
So You Think You’ve Seen Weird Docs?: Gary D. Rhodes on the Weirdumentary
By Roger Nygard. We yearn to know the secrets of our mind, whether its power can lead to telekinesis or precognition. We yearn to know what lies beyond, from the world of ghosts to the world of alien life forms….” –Gary D. Rhodes I remember how Hammer Film’s Five Million […]
Coming Out of the Soundtrack: Alexandros Voulgaris on They Come Out of Margo
By Yun-hua Chen. It started when I went to a concert by an artist who was quite similar to the one portrayed in the film. The whole experience of watching her on stage was very intense. So I began writing something based on that, and over these 11 years, the […]
Indelible Footprints: Joseph Maddrey’s The Soul of Wes Craven
A Book Review by William Blick. Maddrey illuminates the master from behind the scenes and shines a light on exactly what he means to the language of cinema.” Joseph Maddrey, author of Nightmares in Red, White, and Blue (2004) has a new title The Soul of Wes Craven (Harker Press) […]
Van Helsing’s Key: The Latin Reading in Dracula (1931)
By Nicholas Goodhue. As far as I can discover, none of the commentators on the film have satisfactorily explained the meaning and importance of the film’s Latin passage…. However, the passage does in fact provide the basis for Van Helsing’s conclusion regarding his analysis of Renfield’s blood.” About thirty minutes […]