By James Morrison. My films are meant as polemical statements against the American ‘barrel-down’ cinema and its dis-empowerment of the spectator. They are an appeal for a cinema of insistent questions instead of false (because too quick) answers, for clarifying distance instead of violating closeness, for provocation and dialogue instead […]
Syncretized Equality: Judge Priest, Early American Music, and Singing on the Front Porch
By Richmond B. Adams. John Ford’s Will Rogers vehicle has yet to receive the full credit for the complexities of its cultural commentary…. the present examination will argue that Judge Priest undermines the world it supposedly affirms.” From the middle-1920s through his death in 1946, my maternal grandfather, the Reverend […]
The Unmanageable Maid
By Robert K. Lightning. Whether through indifference, innuendo, or caustic commentary, she makes her opinions apparent to her employers and, essentially, subverts any pretense of absolute authority over her. She is effectively unmanageable.” In honor of the fiftieth anniversary of its publication in 1973, I recently pulled Donald Bogle’s Toms, […]