By Christopher Sharrett. It seems to me that Danish director Nicholas Winding Refn’s Drive (2011) is an important film (it is too soon to say if it is anything like a great one), at the very least for its sense of the fading, threatened male hero as a representation of […]
ONLINE | Thinking Film Since 1973
Gary D. Rhodes
The First Movie Studio in Texas: Gaston Méliès’s Star Film Ranch – Kathryn Fuller-Seeley on Collaborating with Frank Thompson
Betty Kaklamanidoy
The Red Sea Phenomenon: A Genealogical Erasure of Female Pioneers
