The Velvet Underground: Mourning a Lost Bohemia

By Christopher Sharrett. I very much recommend Haynes’s film, but, [f]or me at least, it’s a reminder of all that has disappeared….” Todd Haynes’s new film The Velvet Underground has an obvious place in the filmmaker’s oeuvre; it connects to his early film Poison (1991) and much that followed, films […]

Steve Neale: Interrogating Cinema

By Frank Krutnik. Renowned for his groundbreaking work on genre, Neale has also made key interventions into other areas of film and media criticism…. [He] is not afraid to challenge critical orthodoxies, but does so not in a grandstanding manner but with a persuasive equanimity that invites us to rethink […]

Remembrance of Things to Come: M. Night Shyamalan’s Old

By James Slaymaker. Old reveals itself to be a deeply nuanced, emotionally resonant, structurally experimental and formally rigorous work of art. It’s also a work clearly informed by the collective trauma of the COVID-19 pandemic, even though it doesn’t make any explicit references….” This article contains spoilers for M. Night […]

Tobe Hooper and the American Twilight

By Christopher Sharrett. Tobe Hooper became a poet of the American twilight, of the dead American Dream warned about by any number of artists…. As I have noted elsewhere, Hooper immediately lets us know that his concerns are broad and deep.” I recall my first screening of The Texas Chain […]

Nomadland, or Dread and Denial in the American Remains

By Christopher Sharrett. Zhao’s film would seem to follow Bruder’s impulse in documenting a profound and perpetual economic crisis, as contemporary America’s bosses opt for an outsourced and financialized economy…. But the film’s critical concerns tend to leave center stage.” The opening card for Chloe Zhao’s Oscar-winning Nomadland informs us […]

Corbucci’s Wild Western: Django (1966)

By Jeremy Carr. Arrow’s laudable treatment of Django attests to the lasting interest in this unconventional and oftentimes striking fare.” Although his stature has risen in recent years, Sergio Corbucci has primarily resided in the shadows of his more famous spaghetti western counterpart, Sergio Leone. But like the sub-genre generally, […]

Revisiting Romero’s The Amusement Park (1973)

By Tony Williams. Spoiler alert: key plot details are discussed below.–Ed. The Amusement Park has much to say both at the time of its production (1973) and certainly now – but it is doubtful whether many will want to watch it nor listen to its message. It is a deliberately […]