By Alexandra Heller-Nicholas. Sydney filmmakers Jim Weir and Jack Clark turn the mirror inwards to examine the conditions where, if left unchecked, certain kinds of male social relationships can grant violence against women a space to flourish.” Launched in 2021, the Australian government-supported Our Watch organization rolled out the “Doing […]
The Street of Forgotten Men (1925): From Story to Screen and Beyond
By Thomas Gladysz. An act of cinematic and cultural archeology. I just kept on digging to find out what I could find out.” Film International contributor Thomas Gladysz has published a fifth book, The Street of Forgotten Men: From Story to Screen and Beyond (PandorasBox Press). He describes it as […]
Reflections on Oppenheimer: The Jewish Question, Bad Conscience, the Bomb
By Christopher Sharrett. This story is well-known…. We are deprived of the factors transforming him into the destroyer of worlds, as well as those making him into the pathetic cowboy, and the smart aleck who could not mount a sensible defense in the face of imbeciles without being a stupid, […]
Australian Horror Now
By Alexandra Heller-Nicholas. As a diverse and multicultural country, I would like to see us producing horror that represents the wide range of storytelling styles and lived experiences that come together to make this country what it is.” –Isabel Peppard “It was a difficult decision to make it even using […]
Scorsese’s Night Moves: After Hours (1985)
By Jeremy Carr. Scorsese’s follow-up to The King of Comedy (1982) can be as stressed as any thriller or even a horror film, or as ostensibly innocuous and banal as a plaster of Paris bagel and cream cheese paperweight.” It starts with a pen that doesn’t work, just as he’s […]
Recognizing Belafonte
By Robert K. Lightning. If Poitier’s films frequently situate him as an integrationist hero, successfully negotiating the rocky path to white acceptance, Belafonte’s films typically chart a very different path where acceptance is not always the goal, making him often Poitier’s cinematic antithesis.” With the announcement of Harry Belafonte’s death […]
Universal’s First Horror Films
By Gary D. Rhodes. Here is an amazing history, one far more enduring than, say, Paramount’s connection to the comedy genre or Warner Bros. to the gangster. The question of precisely when Universal horror movies began is equally as fascinating as it is complicated.” In the 21st century, Universal Pictures […]
“Playing Innocent Would Have Meant Lying”: From the Introduction to Christian Petzold: Interviews
By Marco Abel, Aylin Bademsoy, and Jaimey Fisher. The following is an excerpt from the Introduction to our volume of interviews with German filmmaker Christian Petzold, entitled Christian Petzold: Interviews and published in the University Press of Mississippi’s Conversation with Filmmakers series. We thank UPM for permission to reprint this […]
A Neglected Man as Machine – Soldier: From Script to Screen
A Book Review Essay by Andrew Kolarik. There is something admirable in the blind positivity the book has towards Soldier and makes it a quiet strength, for better or worse.” What is it about some films that makes us utterly embrace them, even the derided and forgotten ones? Why do […]
Looking Back at “The Movies 100 Years from Now” by D.W. Griffith (1924)
By Bibi Berki. Griffith’s singular essay about the future of the cinema is a far more complex and layered piece than might seem immediately obvious.” It’s a risky business playing the soothsayer. Nonetheless, the director DW Griffith had a crack at it in 1924 with a magazine article called The […]