By Michael T. Toole. Noir has many sides, aside from the stunning stylistic things we look for in the films (the imposing verticality of a cityscape, rain soaked streets, darkly lit corridors) there are the more intrinsic elements, like lovers’ betrayal and protecting ill-fated choices, that give it its narrative […]
ONLINE | Thinking Film Since 1973
Ali Moosavi
A Producer’s Journey, from Tehran to Hollywood – Barry Navidi on Modi: Three Days on the Wing of Madness
Andrew Montiveo