By William Repass. “I know that I look like Hitler, and I’m gonna prove it right now!” Since any discussion of German-American director Ernst Lubitsch must devolve, sooner or later, into a feeble attempt at pinning down the so-called “Lubitsch Touch,” let us resign ourselves the inevitable, and see if […]
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Jonathan Monovich
“Pain Creates Character Distortion”: David Cronenberg’s The Shrouds
Alexandra Heller-Nicholas