By Devapriya Sanyal. To me Masaan (2015) didn’t give the feeling of eternal life flowing by, in its depiction its multifarious stories, set beside the silently flowing Ganges. The river is witness to a love blooming between two young people as also the death of one, it is also the […]
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Jonathan Monovich
“Pain Creates Character Distortion”: David Cronenberg’s The Shrouds
Alexandra Heller-Nicholas