Keeping it Bleak, and Feminist: Gilles Paquet-Brenner on Dark Places

By Paul Risker. Neither is the final version of a film nor the path of the filmmaker a collection of exclusive deliberate creative choices. Writer/director Gilles Paquet-Brenner’s breakthrough came with Sarah’s Key (2010), a story that follows one woman’s journey into the past that has subsequently been echoed by Dark Places […]