Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Post-Panoptic Gazing is M. Woods’ delirious, omnivorous mashup of original and found footage, both digital and celluloid. Woods plunges the viewer […]
Thinking Film Since 1973
Edward Avery-Natale
The Elements of a Scene: Punk the Capital
Elias Savada
Comme si, Comme Saw: Spiral
Theresa Rodewald