The Last Hurrah of John Garfield: Criterion’s The Breaking Point (1950)

By Tony Williams. Since the inclusion of a co-written article by Tom Flinn and John Davis in the pre-David Bordwell University of Wisconsin-Madison era of The Velvet Light Trap (in an issue titled “Forbidden, Forgotten, Neglected and Unlucky Films”), Michael Curtiz’s The Breaking Point (1950) has been relatively neglected until […]