By Alex Ramon. From the patriarchy-busting provocations of his debut feature Sitcom (1998) to the understated elegance of Frantz (2016), François Ozon has created a body of work that’s among the most diverse and confounding in contemporary French cinema. Pegged initially as an enfant terrible, Ozon announced himself as a distinctive […]
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Ali Moosavi
A Producer’s Journey, from Tehran to Hollywood – Barry Navidi on Modi: Three Days on the Wing of Madness
Andrew Montiveo