By James Slaymaker. The Great Swindler deserves to be recognised as a major work that sheds light on Godard’s attitude towards technology, critical reflexivity, and the shortcomings of the classical documentary mode.” Considered as a whole, Jean-Luc Godard’s filmography may be read as a reflexive historiography of the transforming technologies […]
ONLINE | Thinking Film Since 1973
Andrew Repasky McElhinney
Remembering Making The Things We Do for Love: A Cinemagic
