By Thomas M. Puhr. Pleasantly rough around the edges and anchored by two strong female performances, the co-writer and director’s feature debut offers a bit more than homage but never quite escapes its influences.” David Lynch has become a convenient (and sometimes lazy) point of comparison for any film with […]
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Jenny Paola Ortega Castillo
Dead Souls on the U.S. Border: On Alex Cox’s “Final Film”
William Blick
Questioning Authority: Jim Towns’ Mercy
