Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. noCOM stands for “no comment,” according to filmmaker Walter Ungerer, and that is appropriate because this ten minute short, a sequence […]
Film Scratches: Wonderland of Pain and Survival – Toogie’s Trip to Bukuokuka (2016)
June 20, 2018
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Toogie’s Trip to Bukuokuka is a kind of S/M Alice in Wonderland, a menacingly surreal and fascinating 24 minute film by […]
Film Scratches: Euphoria Unmasked – Careless Camera Work on Clapham Common (2016)
June 20, 2018
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. In Jack Wormell’s aptly named five minute silent video Careless Camera Work on Clapham Common, he assembles shots taken from a […]
Film Scratches: Recent Short Films by Chang Po-Yang
June 20, 2018
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Chang Po-Yang is a young filmmaker from Taiwan. Here is a round-up of his recent experimental shorts. Je est un autre […]
On Compiling The Encyclopedia of Racism in American Film
June 5, 2018
Editor Salvador Jiménez Murguia recently published The Encyclopedia of Racism in American Film (Rowman & Littlefield, 2018), a project that covers the breadth of material it promises and features work by several top scholars in film, including Film International Co-Editor Matthew Sorrento and contributor Tom Ue. Murguia discusses the project below. In the intro, […]
Film Scratches: Sleepy in Sulaymaniyah – Dream City (2016)
May 29, 2018
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. In Dream City, a short feature, American filmmaker Emma Piper-Burket documents her friendship with Diana Jaf, a young Kurdish Iraqi woman. […]
Film Scratches: Recent Short Films of Jacques Spohr
May 29, 2018
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Jacques Spohr is a French filmmaker now based in Athens. Here is a sampling of his recent shorts. Les Coups du […]
Film Scratches: The Words Behind The Dance – Una Mina (2016)
May 29, 2018
Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Una Mina is an eight minute dance film by Argentinian filmmaker María Papi. The footage shows actress Gesche Picolin performing tango […]
De Palma’s Scarface at 35: a TriBeCa Panel
April 24, 2018
By Gary M. Kramer. Brian DePalma’s 1983 remake of Howard Hawks’ Scarface, with a script by Oliver Stone, had a special 35th anniversary screening at the TriBeCa film festival with DePalma, Pacino, and costars Michelle Pfeiffer and Steven Bauer in attendance. The film received raucous applause when it started and […]
Call for Contributions: The Mondo Film and its Legacy
March 5, 2018
Contributions are invited for a special edition of Film International devoted to the “mondo” shock documentary film. The mondo genre was created in the 1960s by Gualtiero Jacopetti, Franco Prosperi and Paolo Cavara with their first feature Mondo Cane (Italy, 1962). The genre quickly became an international sensation, hated […]