Call for Contributions: Artist, Transport, Travel

From Guest Editor Gary McMahon. Texts are invited for a Film International issue on this theme: Artist/Mode of Transport,  or: Genre/Mode of Travel. The rest of the remit is yours to navigate. The artist may be before or behind the camera. Surveying film-making this way need not to be exhaustive but rather impressionistic. […]

Film Scratches: Tutorials for the Apocalypse – La Fuga (2014)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. La Fuga is a suite of many linked short videos by Mexico-based artist Adrián Regnier Chávez. The videos are modular in […]

Film Scratches: Dark Comedy of Dangerous Rhetoric – Stenography (2016)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Stenography, Lee Murray’s fabulously complex, sophisticated and enthralling hour-long epic comedy about political turmoil in Munich 1923, begins modestly with a […]

Film Scratches: Conjuring with Cameras – Savage Witches (2012)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Savage Witches, a feature length film by Daniel Fawcett and Clara Pais (collectively known as The Underground Film Studio), is itself […]

Film Scratches: Canaries in the Mine – Focus (2014)

Film Scratches focuses on the world of experimental and avant-garde film, especially as practiced by individual artists. It features a mixture of reviews, interviews, and essays. A Review by David Finkelstein. Focus is a thoughtful, intriguing 7 minute film essay by Simon Welch. The film is a portrait of Pierre, a retired […]