Editorial: Film International 70

By Daniel Lindvall. In an essay recently published at Filmint.nu, Martin Smith takes a critical look at the censorship debates in the British press regarding two equally controversial recent films, Antichrist (2009, directed by Dane Lars von Trier) and The Human Centipede II: Full Sequence (2011, directed by Dutchman Tom […]

Quick Take: Frederick Wiseman on At Berkeley (2013)

By Paul Risker. 1967 marked the inception of Frederick Wiseman’s documentary filmmaking career (with the controversial asylum expose, Titicut Follies), but fast-forward to the present day and behind him now lies a total of forty-seven diverse films. If there was a singular inspirational moment or spark for this observational career […]

The Return of I’m Alright Jack (1959)

By Paul Risker. “I’m alright Jack” is English slang for an individual focused solely on his/her self-interest. Though John and Roy Boultling’s 1959 satirical masterpiece borrows the phrase for its title, it’s not a film lost in its own self-interest or in possession of a complacent air. With a more […]

Introduction: Contemporary Independent Iranian Cinema

By Parviz Jahed and Amir Ganjavie. [Editor’s note: The upcoming issue of Film International (issue 69, vol. 12, no. 3/2014) is dedicated to “Contemporary Independent Iranian Cinema.” This is a slightly abbreviated version of the introduction to this issue, written by the issue’s guest editors Parviz Jahed and Amir Ganjavie. […]