A Young Woman’s Noble Fight: Ms. Purple

By Yun-hua Chen. Justin Chon, the American actor of Korean descent who made his name since his role as Eric in The Twilight Saga a decade ago, has established an increasingly distinct directorial voice addressing Asian-American stories and strikes a chord with ethnic minorities who rarely enter the mainstream in […]

Hitler is Not Your Friend: Taika Waititi’s Jojo Rabbit (Toronto International Film Festival)

By Alexandra Heller-Nicholas. With its world premiere at the 2019 Toronto International Film Festival, Taika Waititi’s Jojo Rabbit functions as the final installment of the filmmaker’s informal trilogy that focuses on the subjective experience of boyhood. In 2010’s Boy, the eponymous protagonist is an 11-year-old played by James Rolleston, while in 2016’s […]

Portrait of a Lady on File: Seberg (Toronto International Film Festival)

By Alexandra Heller-Nicholas. Although often unspoken, there is a frequently assumed “right” and “wrong” way to approach an artist’s body of work, be they a novelist, composer, director or actor. In this sense, I came to Jean Seberg all wrong. My first encounter with her was not the default “essentials” […]

Think You Know the Syrian Conflict? Think Again: For Sama

By Ali Moosavi. Many years ago, I attended a scientific conference in Damascus. I was touched by the beauty of the place and hospitality of its people. Many of the conference delegates stayed a few extra days to visit Aleppo. They described as a truly historical city of unrivalled beauty […]

On Mutants, Monsters and Mushroom Clouds – Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967 by Mike Bogue

A Book Review by Matthew Fullerton. Apocalypse Then (McFarland, 2017) is an informative and entertaining examination, and comparison, of science fiction films from the U.S. and Japan with both indirect and direct ties to the “nuclear threat,” such as testing, accidents, fallout, radiation, and war. The author Mike Bogue, an American […]

Dachra: A Different Kind of Tunisian Revolution

By Greg Burris. Early on in the Tunisian horror film Dachra (Abdelhamid Bouchnak, 2018), we see a class of university students as they listen to their professor’s instructions for their final assignment. The students are to arrange themselves into groups and produce a filmed investigative report on a subject of […]